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Word: noir (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...polish of his low budget productions and his obvious debt to and affection for earlier movie-makers have tempted a number of critics to consider him a clever contemporary heir to several 40s and 50s directors whose exciting grade-B films have been sauvely generalized under the label film noir. Just now, with the success of Halloween, more careful critics are insisting that Carpenter is not as good as all that...

Author: By Larry Shapiro, | Title: Nuts and Jolts | 3/23/1979 | See Source »

...Sleep and To Have and Have Not. He was shrewd enough to realize that it was not the story lines of his sources that gave them their hold on our affections. Bogart's incisive, ironic characterization of the urban loner, the Hemingwayish dialogue and the film noir look that gave Warner Bros, films their unique quality in the '40s, the forcefulness of the studio's stable of character actors-all of these elements combined to create a style that is the real target for a would-be satirist...

Author: /time Magazine | Title: Cinema: Easy Shot | 7/10/1978 | See Source »

...many as 1 million Muslims died during and after the war. French casualties, military and civilian, are estimated at 27,000 killed and some 65,000 injured. When the end came, a terrible exodus began. Forced to choose between "the suitcase or the coffin," nearly 1 million white pied noir settlers tearfully abandoned their homeland. For more than a century it had been considered as much a part of France as Brittany or Provence...

Author: /time Magazine | Title: Books: Epic Terror | 5/22/1978 | See Source »

Good film noir at the Central Square...

Author: NO WRITER ATTRIBUTED | Title: A Cinema of Paradise: Carne, Bogart, Astaire ... ... Woody, Dustin, and Deliverance-- from finals | 5/4/1978 | See Source »

Gilda. Done in 1946 by King Vidor, "Gilda" is the best of the "film noir" style that emphasized the dark side of the American character in the climate of national disillusionment following World War II. The film features Glenn Ford, Rita Hayworth and an actor whose name I always forget, who plays a Rio casino owner-cum-international tungsten cartel boss. It revolves around two sinister triangles: one, a quasi-homosexual link between the tungsten boss, the boss's sword-cane, and Glenn Ford (the other, between Rita Hayworth, the tungsten boss (who marries her), and Ford...

Author: NO WRITER ATTRIBUTED | Title: Kubrick Gets His Kicks; Hawks Hyperventilates | 4/27/1978 | See Source »

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