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Word: noir (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Cinema: Red Rock West, a film noir worthy of the term...

Author: /time Magazine | Title: Time Contents Page May 9, 1994 -- Vol. 143 No. 19 | 5/9/1994 | See Source »

...been impatiently awaiting. And if Michael had been a little less desperate he might not have pocketed the cash. But then, if people were in general a little less stupid and and a lot less greedy, there would have been no need to invent film noir in the first place...

Author: /time Magazine | Title: CINEMA: Equal Opportunity Evil | 5/9/1994 | See Source »

...Rock West belongs to that genre's low-budget country-and-western subspecies. Michael is a classic film noir protagonist, essentially a good, slightly dim sort who is drawn into evil's web because of a momentary weakness and whose struggles to escape serve only to entangle him more tightly. In film noir, the spider at the center of such a web is usually a woman, and in this case she is Suzanne (Lara Flynn Boyle), Michael's intended victim. After he spares her, she expresses her gratitude by luring him still nearer to destruction. Film noir also typically calls...

Author: /time Magazine | Title: CINEMA: Equal Opportunity Evil | 5/9/1994 | See Source »

...film noir, evil is endemic in our history and our society, inescapably embracing both sexes and every social type. Putting it mildly, the genre is -- or was -- cynical and subversive. But given the power of humanistic piety in contemporary movies -- it is virtually the only acceptable tone for American films seeking an adult audience -- film noir, if it's done at all, is usually accompanied by nostalgic winks and genial, reassuring cues of self- consciousness. Just kidding, folks, say the filmmakers. Red Rock West, in contrast, is all furious conviction. Its humor is sardonic; its ironies are conveyed by violence...

Author: /time Magazine | Title: CINEMA: Equal Opportunity Evil | 5/9/1994 | See Source »

...Fuller, John Bailey, Olivier Assays. Jean Pierre Gorin and David Brown; some that are the rising stars on both sides of the Atlantic such as Quentin Tarantino and other fledgling director such as Guy Jacques, Agnes Merlet, Nora Jacobson Matthew Harrison and Filip Forgeau. Tarantino's neo-noir, soon-to-be-classics. "Reservoir Dogs" and "True Romance" are to be shown. And even more notable is the premiere of Mika Kaurismaki's Amazonian adventure of a film within a film, "Tigrero: A Film That was Never Made" and Jean-Pierre Melville's 1955 cop drama, "Bob Le Flambeur." Themes which...

Author: By William Winborn, | Title: Workshop Welcomes The Wunderkinden | 4/7/1994 | See Source »

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