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Word: noir (lookup in dictionary) (lookup stats)
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Welles was also a conspicuous womanizer and gourmand. He was, writes Brady, "a man who would think nothing of starting off a meal with a bottle of Moet et Chandon just for himself, followed by a Boudin Noir aux Pommes (blood sausage with apples), then a bottle of Beaujolais Nouveau to help wash down a Terrine de Canard and a huge porterhouse steak, and finally a Mousse a l'Armagnac, followed by four or five glasses of Calvados, and several cups of very black coffee...

Author: /time Magazine | Title: Books: Getting to The False Bottom | 4/24/1989 | See Source »

...Fall of an American Genius (1985). Citizen Welles covers more ground and digs deeper, revealing an artistic nomad whose life had too many ups, downs and lateral movements to be treated as a sales chart. The author is a great admirer, crediting Welles as an originator of the film noir genre and a technical pioneer whose influence can be detected in dozens of films. He even notes that the Mexican novelist Carlos Fuentes has acknowledged that the structure of his book The Death of Artemio Cruz was lifted from Citizen Kane. But Brady is prudent about using the word genius...

Author: /time Magazine | Title: Books: Getting to The False Bottom | 4/24/1989 | See Source »

...Yves Saint Laurent skateboarding a la Kelly through Paris' seedier neighborhoods? Picture crusty Karl Lagerfeld nude from the waist up, posing for Vanity Fair, with red buttons over his nipples and 16 satin bows on his pigtails? Such antics have charmed the powerful French fashion press. "Le mignon petit noir Americain," enthused one Paris newspaper -- although in America being called a cute little black would seem more like an insult...

Author: /time Magazine | Title: An Original American In Paris: PATRICK KELLY | 4/3/1989 | See Source »

...classic film noir, The Big Sleep has no clear-cut better...

Author: NO WRITER ATTRIBUTED | Title: Joy in Beantown | 10/13/1988 | See Source »

...edged, overly bright. But when he confronts the automotive traditionalists in his own organization or the politicians whom the movie shows endlessly harassing him at Detroit's behest, and when, finally, he ; is placed on trial for fraud, the film turns paranoid in the manner of the '40s' film noir...

Author: /time Magazine | Title: Cinema: On The Road to Utopia TUCKER: THE MAN AND HIS DREAM Directed by Francis Ford Coppola Screenplay by Arnold Schulman and David Seidler | 8/15/1988 | See Source »

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