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Word: noire (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...through the streets like the blood of a great snarling beast, unimpeded by his concerns. He was just one more fool in its hard history who'd gotten in over his head." Good magenta stuff, requiring only a little Hammond-organ ominoso to sound like the musings of Guy Noir, Garrison Keillor's private eye, who works "on the 12th floor of the Acme Building, in a city that knows how to keep its secrets...

Author: /time Magazine | Title: BOOKS: TUNNEL VISION | 3/17/1997 | See Source »

...reviewer emerged from an early screening of Lost Highway with the cry of "Garbage!" Well, David Lynch must be doing something right. The creator of Twin Peaks describes his first film in four years as a "21st century noir horror film." It has a battered suitcase of references to old Hollywood film noir, the requisite gore for a scare show and, in the spooky presence of Robert Blake--with his pancake white face, shaved eyebrows and sickly smile--an eldritch harbinger of death like the dwarf in Twin Peaks. So whatever that critic may think, Lost Highway isn't refuse...

Author: /time Magazine | Title: CINEMA: MILD AT HEART | 3/3/1997 | See Source »

...visited this planet before, become familiar with its obsessions and grotesqueries until they hold as little terror as garden gnomes. And while it's always a tonic in this timid film age to see directors try something different, Lost Highway is the same different. Someone should tell Lynch that noir is a genre, but weird...

Author: /time Magazine | Title: CINEMA: MILD AT HEART | 3/3/1997 | See Source »

Headlines that once read "Celtic Pride" now read "Celtics Continue Slide" or the more tragic, "Celtic Dies." But not even dark humor can redeem Boston's embarrassing season. This is no film noir. It's a horror show...

Author: By Ethan G. Drogin, | Title: A Tale of Two Franchises | 2/6/1997 | See Source »

Parker has filmed the story in the suave, dark tones of a film-noir musical. Buenos Aires becomes a character in the movie less by re-creating period exteriors than by focusing on the extras' faces--gorgeous, pensive reflections of Eva's sultry magnetism. But this is, essentially, a three-character play, demanding that the stars must sing, swagger and act with style. Pryce, consummate pro, lives fully in all three realms. Banderas parades his sex appeal as the one man who is not a father figure to Evita; he is the skeptical stud who can match her arrogance with...

Author: /time Magazine | Title: CINEMA: MADONNA AND EVA PERON: YOU MUST LOVE HER | 12/16/1996 | See Source »

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