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Word: noire (lookup in dictionary) (lookup stats)
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...Wachowskis, whose first directorial effort was the seductive femme-noir drama Bound, have deeper fish to fry. "We're interested in mythology, theology and, to a certain extent, higher-level mathematics," says Larry. "All are ways human beings try to answer bigger questions, as well as The Big Question. If you're going to do epic stories, you should concern yourself with those issues. People might not understand all the allusions in the movie, but they understand the important ideas. We wanted to make people think, engage their minds...

Author: /time Magazine | Title: Cinema: Popular Metaphysics | 4/19/1999 | See Source »

...just look at those titles--has gone blackly cynic. In Roland Joffe's twist-filled but flawed new feature, religion serves only to provide a respectable front for the depraved or to highlight its golly-gee practitioners' cluelessness. But that's not the main thrust: In this noir comedy, lust, greed, jealousy, betrayal and just generally people's worst sides stand in mocking contrast to any form of decency (i.e. gullibility...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: Back to Black | 4/16/1999 | See Source »

Once upon a time, the jazz or jazz-inflected scores for movies like A Streetcar Named Desire and The Man with the Golden Arm were breakthroughs. Today the sound of a saxophone wailing in the night is as tired a film noir cliche as the battered fedora--the stuff of Carol Burnett sketches. But Blanchard, a trumpet player and film composer himself, finds new beauty and wit in the originals, fashioning mini-suites from the above-mentioned scores (and others) that shift between cinematic lushness and small-group drive. Blanchard's bruised, lyrical solo on Chinatown is a highlight...

Author: /time Magazine | Title: Music: Jazz In Film | 3/15/1999 | See Source »

...some artsy duds and head to a screening of "Phantom Lady" and "Film Noir" on Dudley House's oversized TV. A preceding lecture will explain everything that's going on. Dudley House, Lehman Hall, Harvard Yard. 6 p.m. FREE...

Author: NO WRITER ATTRIBUTED | Title: THURSDAY MAR 11 | 3/11/1999 | See Source »

...films begins a little self-importantly, awash in its Picasso Blue period palette, mimicking the voice-over style and groove of the Bogart noir, only Porter's not a dick, just a guy who gets back stabbed by his wife and partner in a heist. He vows revenge, but takes his time reacquainting himself with the city and its environs, plotting. We get the feeling from the start that he's just biding his time, a shark circling its prey, but he does take the whole thing a little too seriously. His bad-ass persona seems a bit silly considering...

Author: By Judy P. Tsai, CONTRIBUTING WRITER | Title: PAYBACK TIME | 2/19/1999 | See Source »

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