Word: noires
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Dates: during 1980-1989
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...substance of new wave could not always keep pace with the style, which may be one reason why Souther sounds so good right now. Another, of course, is that he is a very skillful writer whose love songs have both the toughness and the solid sentimentality of film noir. A tune like the title track is a very neat piece of backbeat sleight of hand. It starts out like a celebration of male swagger ("He said goodbye and just walked right out the door"), then turns into a deft bit of deflation ("He looked so good he must have practiced...
...level, The Terminator is a hip retelling of the D Annunciation: Sarah is a blissed-out Virgin Mary, John is her divine son, and Reese the messenger angel sent to impregnate Sarah with the holy word. But there is plenty of tech-noir savvy to keep infidels and action fans satisfied. The violence is copious, clean and discreet. Director James Cameron (who wrote the script with Producer Gale Anne Kurd) has a superefficient editing style that uses slow motion, pixilation and infra-red opticals to make this the smartest looking L.A. nighttown movie since The Driver...
...unbilled costar) on Entertainment Tonight. Since what's new is neo and what's hot is retro, the 6-min. clip for the song Left in the Dark features La Streisand as a vampy songstress in an Edward Hopper-style nightclub and in a '50s film noir setting. For Streisand, to compose a slight variation on an old theme of hers, the way she is is never...
While sales of higher-priced varietal wines, named after specific grapes like the Cabernet Sauvignon and Pinot Noir, remain strong, low-cost generic labels, the Burgundies and Chablis produced by such vintners as Inglenook and Almaden, have fallen off. The price of a gallon jug of domestic wine sold in food stores has been cut in half since 1981, to about $3. Meanwhile, foreign vintners have flooded the U.S. Helped by a strong dollar that has made their wines cheaper for American buyers, foreigners boosted their share of the American market this year to more than 25%, up from...
...Griffith's early years had the elements of spectacle, his decline seems to have been made for cinema noir. Ignored, unrecognized, the old director hung around in bars, moving in a limbo of almost-deals and the very young women he could never stay away from. Only when he died of a cerebral hemorrhage in 1948 at the age of 73, did recognition arrive. Obituaries were laudatory; Samuel Goldwyn and Louis B. Mayer served as honor ary pallbearers to the man they had ignored in his final years...