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Word: noires (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...quality to his films that empowered and qualified his criticism. “He was a filmmaker who displayed the conflict in classical American liberalism in the starkest possible form,” says Connor, referring to the harsh journalistic style of Fuller’s classic 1953 film noir Pickup on South Street...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: WWII Film Sees Full Release | 12/3/2004 | See Source »

...addition to being one of the most important and cutting-edge examples of 1950s film noir, Pickup highlights the disparity and paradox between the two most prominent American values of the time: individual ambition and blindly patriotic anti-Communism. In one of the film’s most potent moments, the police threateningly ask the protagonist if he knows what treason is, to which he responds with “Who cares?” Released in the year of the Julius and Ethel Rosenberg executions, Pickup is rife with political daring, both endangering and enabling Fuller?...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: WWII Film Sees Full Release | 12/3/2004 | See Source »

...actor pal Jack (Thomas Haden Church) is a less learned oenophile. "Pinot Noir?" he asks, guzzling it as if it were Gatorade. "Then how come it's white...

Author: /time Magazine | Title: Movies: Sweet Sip of a Dark Vintage | 11/1/2004 | See Source »

...Passion of the Christ: The suspense in this film could be cut. With a knife. Any sane viewer of Mel Gibson’s neo-noir thriller will be on the edge of their seat from the moment the Sinead O’Connor-esque Satan figure appears. Will Jesus die? The answer to this question requires two hours of scary, seat-jumping sequences that will leave you disturbed for days. It’s hard to know where to begin with the scares in The Passion—but highlights include 2000 year-old stereotypes about Jews and visuals...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Happy Halloween, Everybody! | 10/29/2004 | See Source »

...Manhattan, Payne tells the sommelier that we have no time for bubbles or even whites. When the bartender tops off Payne's 2002 Drystone Pinot Noir from New Zealand, Payne pours half of it into my glass, eager to move on to the next red. It's a 2001 Pintas from Douro, Portugal, and he likes it. A lot. He immediately starts to think about what food to match it with. "Wine is to food as music is to film," Payne says. "If the combination is right, then it's a whole new thing...

Author: /time Magazine | Title: Movies: He's Got Good Taste | 10/25/2004 | See Source »

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