Word: noires
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Dates: during 2000-2009
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...favorite is the autobiography of Lana Turner, published some years ago. It is a strangely affecting work - eerily clueless and humorless - in which a certain southern California/film noir/'40s bleakness persuades the reader, after a hundred pages, that in a former life, Lana Turner and Richard Nixon may have been the same person. It is a spooky experience...
...Point_ was arguably better than the original. _Exterminator_, too, shines because of those assisting the band. Among those producing _Exterminator_ are, variously, the Chemical Brothers, David Holmes and Kevin Shields of My Bloody Valentine. It's a diverse mix, though it flows surprisingly well. Highlights include David Holmes' _film noir_-style instrumental ("Blood Money"), and the catchy Jagz Kooner mix of "Swastika Eyes." The finale, "Shoot Speed/Kill Light" features the blazing guitar of New Order's Bernard Sumner...
...classic cops-and-robbers tale, but with a film-noir twist. Ovando was railroaded by the police, who had planted a gun to get the conviction. But no one believed Ovando until a dishonest cop, Rafael Perez, talked. Faced with 14 years in prison for stealing cocaine from a police lockup, Perez opted to bargain for a lighter sentence by delivering up his fellow officers. That was five months ago, and Perez has hardly stopped talking since. He has filled 2,000 transcript pages with accounts of cops faking evidence, testifying against innocent people and generally acting like criminals themselves...
...Give carte blanche to film noir. Elegant trenchcoats and khakis are for sexy gumshoes of the '40s and beautiful bods of today. Think bright coral lipstick is only for your decomposing Great Aunt Hortense? Think again. Any would-be femme fatales knows that salmon orange is the only color worth puckering...
...list them all, not only to pay respect to the uniform excellence of the cast, but also to provide what are essentially the storylines of the film, since almost every scene unfolds as an extrapolation of character. Whereas previously, in Boogie Nights and the carefully-studied noir Hard Eight, Anderson relied upon plot twists and unforeseen complications to examine an unfamiliar socio-moral universe, Magnolia's characters are not gamblers or pornographers; they live in _our_ universe and don't require the same roughing up to be understood. It's obvious from the start that all of these individuals...