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Word: noires (lookup in dictionary) (lookup stats)
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...less operatic scale, however, he is convincing. Perhaps the best work in the show is Pressure, 1982-83: the white face of a worried, singlet-clad mime in the lower half and, above it, the cold, oppressive ziggurat of an art deco-style New York building. The film noir dramatics of Longo's work are tuned down, and a subtler pathos comes through, the surprise being that Longo was able to extract it from such obvious cliches as the Urban Clown and the Faceless Skyscraper...

Author: /time Magazine | Title: Art: Three from the Image Machine | 3/14/1983 | See Source »

...streets. And a man of honor in a world of thieves. French Writer-Director Jean-Pierre Melville's drama of a gambler down on his luck took 27 years to arrive in the U.S.; it is a classic example of the dark, doom-dripping genre known as film noir...

Author: /time Magazine | Title: Cinema: The BEST OF 1982: Cinema | 1/3/1983 | See Source »

...miserably at craps, the atmosphere changes to one which is highly stylized and starkly black-and-white. The beauty of this film is the way in which it blends those two textures, morally as well as visually, into a witty and seamless union of French style and American film noir...

Author: By Jean-christobe Castelli, | Title: A Safe Bet | 10/4/1982 | See Source »

...wonderful cinematography serves as a visual stylization of Bob's world, containing as it does echoes of film noir as well as its own peculiar vision of Paris in the '50s. One of the most memorable shots is of the contrast in the still landscape of Montmartre at night. In the pitch black lower part of the frame only the sharply etched neon nightclub sign. "Pigalle," stands out, while above the dome of the Sacre Coeur cathedral is silhouetted against the mist. The music reinforces the fundamental contrast inherent in the film. It is magically distant and redolent of both...

Author: By Jean-christobe Castelli, | Title: A Safe Bet | 10/4/1982 | See Source »

...offset curbs, sinking streets and chipped cement steps in Hollister testify to the fault's ornery nature. To appreciate its sheer power, a trip to Almaden's Cienega Winery ten miles to the south is instructive. From afar, nothing seems amiss: manicured vines growing Cabernet, Pinot Noir and Chardonnay grapes sweep to the base of the Gabilan Mountains. Up close, the scene is not so idyllic: the San Andreas splits the winery building like a conveyor belt. On the North American plate, employees are playing basketball. Across the road, on the Pacific plate, there is a seminar...

Author: /time Magazine | Title: In California: Tremors on the Fault | 3/22/1982 | See Source »

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