Word: noires
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...it’s not a cinematic version of the Pring-Wilson story: Murder at Harvard is a classic film noir being screened as part of the Brattle’s Film Noir 101 festival. The most interesting part is how the forensic medicine, thought of as so cutting edge at the time, has been so picked up by modern media. During most of the film, one could almost be watching a flashback episode of CSI: Boston. A detective (fine Cordoban leather purveyor Ricardo Montalban) joins forces with a forensic scientist to find out exactly what happened during femme fatale...
...Brattle begins its Film Noir 101 program with arguably the first and the best film noir. Legendary director John Huston (Key Largo, The Treasure of the Sierra Madre) debuts with his own adaptation of Dashiell Hammett’s 1929 classic pulp fiction novel of the same name. Hard-boiled San Francisco detective, Sam Spade (Bogart), goes head to head in search for the elusive statuette against the femme fatale (Astor), the “fat man” (Greenstreet), and his fair-weather partner (Lorre). It was nominated for three Academy Awards (Best Picture, Best Supporting Actor and Best...
Billy Wilder (The Apartment, Some Like It Hot) brings his considerable directorial panache to the Brattle’s continuation of the Film Noir 101 program. Indemnity is adapted by Wilder and master noir writer Raymond Chandler from James M. Cain’s novel. Barbara Stanwyck stars as the femme fatale (a staple of the entire series) who seduces a mild-mannered insurance salesman into murdering her husband for the insurance money. Men, be careful what dates you bring. They may learn something. Tickets $9. 7:15 p.m. The Brattle Theatre, 40 Brattle Street...
When Will I Be Loved is a post-feminist, post-noir con tale about a beautiful and wealthy young woman named Vera (Neve Campbell), who is trapped between the lecherous and dishonest motivations of two men who lack the emotional ability to understand her needs. The film is framed by Toback’s exploration of this narrative within the context of Vera’s rampant sexuality and her search for self-discovery. Toback mixes hip-hop with Beethoven, steadicam control with voyeuristic video footage, and he strikes an unlikely balance between conventional melodrama and episodic airiness. Like many...
There have also been productive interferences: The French New Wave loved American film noir; Yasujiro Ozu’s Tokyo Story takes off from Leo McCarey; Akira Kurosawa’s Yojimbo morphed into Sergio Leone’s For a Few Dollars More...