Word: noires
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...film, finally, is about Susie; in the last shot, when she walks out into the first morning sun we've seen, we can believe that J.J. the vampire has lost some of his power. Harrison helps make Susie one of the great crippled lovelies of late-period film noir...
...paint a heroic portrait, of a person with plenty to hide, and sell it to a columnist who'll sell it to the public. You'd plant or leak favorable items and try to suppress the scandalous ones. Publicity is the peddler's art, whose colors are rouge and noir, whose techniques are wheedling, pleading, trading and - if the press agent is Sidney Falco - lying, threatening and blackmailing...
...Others leave Lang’s silent period alone, but criticize his Hollywood noir films for being sexually perverted and unnecessarily violent. His noir films are violent, but they are not unnecessarily so. And in comparison to much of what is made today, they are sexually innocent. Spies, Blue Gardenia, Scarlet Street and Woman in the Window are some of his more famous films in this second period. All of his noir films, however, continue to elaborate on the theme of what can happen when technology overpowers our existence. Images of cameras, telephones, clocks and other such modern devices reveal...
...Others leave Lang’s silent period alone, but criticize his Hollywood noir films for being sexually perverted and unnecessarily violent. His noir films are violent, but they are not unnecessarily so. And in comparison to much of what is made today, they are sexually innocent. Spies, Blue Gardenia, Scarlet Street and Woman in the Window are some of his more famous films in this second period. All of his noir films, however, continue to elaborate on the theme of what can happen when technology overpowers our existence. Images of cameras, telephones, clocks and other such modern devices reveal...
...have since changed: The art of mic-slaying has been driven underground by plastic gun-toting, golden-toothed infidels draped in gloss and glitter. The horrorcore style has become as clichéd as the old kung fu movies from which it was spawned. Gone is the grimy street noir of Wu-Tang Forever; on Iron Flag, we instead have more party jams (“Soul Power”), gangsta crooning (“Back in the Game”) and traditional boom-bap (the DJ Premier-esque “Rules”). It?...