Word: noires
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...list them all, not only to pay respect to the uniform excellence of the cast, but also to provide what are essentially the storylines of the film, since almost every scene unfolds as an extrapolation of character. Whereas previously, in Boogie Nights and the carefully-studied noir Hard Eight, Anderson relied upon plot twists and unforeseen complications to examine an unfamiliar socio-moral universe, Magnolia's characters are not gamblers or pornographers; they live in _our_ universe and don't require the same roughing up to be understood. It's obvious from the start that all of these individuals...
DIED. ABRAHAM POLONSKY, 88, film-noir screenwriter and director who was blacklisted for nearly 20 years for refusing to name names at the height of McCarthy hysteria; in Beverly Hills, Calif. Polonsky, who won an Oscar nomination for the 1947 boxing film Body and Soul, continued to work in Hollywood pseudonymously...
...According to Theatre film buff co-directors, Marianne Lampke and Connie White, each season has a framework of five themes. "We give a certain personality to each day," says White. Here's how it goes: The women are big on film noir, a genre of shadowy crime films featuring cynical, malevolent characters (a "wonderful genre," says Marianne), and Mondays are largely devoted to these movies. Tuesdays host quirky, cult-classic, independent movies, and Wednesdays are reserved for "Recent Raves," selected from new art films that have left mainstream cinema, but are yet to be released on video. Thursdays feature films...
...another territory, the frothy world of Friends. That's where Kevin Smith stepped in. Taking a cue from Whit Stillman's so-so trilogy of yuppie angst (Metropolitan was delightfully disaffected, but did anyone really care about Last Days of Disco?), Smith began a series of post-yuppie angst-noir with 1994's Clerks, a grimly hilarious movie that combined Seinfeld's inane blabber and outlandishly tragicomic situations with more angst than you could scrub out with a bar of Fight Club's Paper Street soap. After that came Mallrats and Chasing Amy, more dismally delightful chronicles of the post...
...another territory, the frothy world of Friends. That's where Kevin Smith stepped in. Taking a cue from Whit Stillman's so-so trilogy of yuppie angst (Metropolitan was delightfully disaffected, but did anyone really care about Last Days of Disco?), Smith began a series of post-yuppie angst-noir with 1994's Clerks, a grimly hilarious movie that combined Seinfeld's inane blabber and outlandishly tragicomic situations with more angst than you could scrub out with a bar of Fight Club's Paper Street soap. After that came Mallrats and Chasing Amy, more dismally delightful chronicles of the post...