Word: nolan
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Dates: during 1960-1969
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...this. Captain Rock Hudson speaking. First of all, welcome aboard the nuclear submarine Tigerfish, proceeding at top speed toward the North Pole. Our mission is to rescue a group of marooned scientists and weathermen at Ice Station Zebra. Now before we left, I had a drink with Admiral Lloyd Nolan-you older hands will remember him-and he said that the damned Russians were also very anxious to get to Zebra. Something to do with a capsule from a downed Russian satellite, espionage, treachery, the fate of the free world, and all that...
...illustration of the line "playboys who live each hour" (from the poem "The Voyage") two figures make love. They are flat pleasureless forms against an utterly bleak background. They lie on a black band which spans the middle of the page like blacktop crossing a desert. Nolan connects the bodies into the hopelessness of this world by continuing the brushstrokes of the black across their forms. There is no clarity or vitality in their bodies or their...
...NOLAN confronts us with startling images from this lurid and abortive voyage. His illustrations suggest monotypes -- brilliant rag strokes of detail. The reader -- hypocrite, mirror-image of the poet -- peers from another of Nolan's paintings. Only the essential features of the face are defined -- in heavy skeletal patterns. The obscure background overcomes the face's body. We are forced to recognize the identity of the face, the soul. "Its BOREDOM.... This obscene beast chain-smokes yawning for the guillotine--you--hypocrite Reader--my double--my brother...
...Nolan's choice of colors -- muddy and wine-toned greens, blues, reds and yellows -- is effective. One fascinating monochrome is of a red hissing swan coiled in a white bankrupt-of-shade-or-blue-sky -- "Its heart was full of its blue lakes, and screamed: 'Water, when will you fall?'" The color illustrations are more specific and representational than the black and white -- and less effective. They are less of dream, less inventive, less demanding of imagination...
Through the special capacity of the visual imagination, Nolan extends the language of Lowell's imitations. The Voyage is a complicated fabric of translation -- from Baudelaire through Lowell to Nolan. The genius of Lowell and Nolan encompasses the source and brilliantly reveals it to the reader...