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...gross incompatibility and lack of harmony in your pas de deux (cover and coverage) starring the great Nureyev [April 16]! In your marvelous coverage, Rudi is a colorful, vibrant and electrifying creature. Sidney Nolan's Rudi, however, is about as exciting as a dish of cold oatmeal...

Author: /time Magazine | Title: Letters: Apr. 23, 1965 | 4/23/1965 | See Source »

WHEN this week's cover started coming off the presses, the artist who painted it, Sidney Nolan, was in the mountainous wilds of the Sepik area of New Guinea watching native dances. "I wish Nureyev could have been here in the mountains with me," Nolan told TIME'S Australian correspondent by radiotelephone. "Somehow, 100 natives dancing with gorgeous bird of paradise feathers in their hair symbolized for me the very spirit of ballet...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 16, 1965 | 4/16/1965 | See Source »

This is TIME'S third cover story on the ballet* and Nolan's first cover for TIME. It was a commission that he welcomed with great enthusiasm. An Australian who now lives in London, Nolan is known for his brooding canvases, his translucent colors, and his figures of man, often puzzled but always dignified. A ballet buff for years, he designed the sets for Stravinsky's The Rite of Spring at London's Covent Garden. He is a convinced Nureyev fan, has been observing the dancer since 1962. In London he once watched from the balcony...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 16, 1965 | 4/16/1965 | See Source »

...BISHOP NOLAN B. HARMON Dictionary of World Methodism Atlanta...

Author: /time Magazine | Title: Letters: Jan. 8, 1965 | 1/8/1965 | See Source »

...mantelpiece of the highceilinged drawing room in London stood a bronze minotaur by Sculptor-Painter Michael Ayrton. On the walls hung two early canvases by Sidney Nolan. Novelist C. P. Snow leaned forward on the edge of a sofa, planted his elbows on his knees and lit a Senior Service...

Author: /time Magazine | Title: Professors: Two Cultures in the Corridors | 11/20/1964 | See Source »

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