Word: nomadically
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Dates: during 1980-1989
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...scholarship. He does not attempt the intimate tone of Barbara Leaming's authorized 1983 biography or try for the high-skid finish of Charles Higham's Orson Welles: The Rise and Fall of an American Genius (1985). Citizen Welles covers more ground and digs deeper, revealing an artistic nomad whose life had too many ups, downs and lateral movements to be treated as a sales chart. The author is a great admirer, crediting Welles as an originator of the film noir genre and a technical pioneer whose influence can be detected in dozens of films. He even notes that...
Young scholars on the tenure track have found feminist theory a risky field of concentration. Despite her prominence, Catharine MacKinnon has been an academic nomad, journeying through seven law schools in the past decade. Last month she accepted her first offer of a tenured professorship, at the University of Michigan. Some feminists advise junior colleagues to nurture a reputation in safer areas of law before turning to their real interest. Increasing numbers of women, though, are ignoring this counsel. Declares Professor Martha Minow of Harvard Law School: "The lively response to feminist legal work confirms its power and its indelible...
...Thesiger has been saying and doing in a big way for more than half a century. His adventures as an explorer and soldier in the legendary tradition of Sir Richard Burton and T.E. Lawrence are recorded in his books Arabian Sands (1959), The Marsh Arabs (1964) and The Last Nomad (1980). These celebrated works are distinguished by a direct and bone-dry style that balances Thesiger's luxuriantly romantic relish for tribal peoples and desolate places. The Life of My Choice says goodbye to all that and good riddance to the 20th century and its airships, land vehicles and instant...
...perhaps the most famous dream image in Western art. The silhouette of a sniffing lion, with one unwinking yellow eye and a tail stiffly outstretched, its tip erect as though charged with static electricity, quivering like Rousseau's own paintbrush; the swollen, white Melies moon; the black nomad like a toppled statue, her feet with their pink toenails gravely sticking up; the djellaba, with its rippling stripes of coral, Naples yellow, cerulean; and the lute, like a pale lunar egg, hanging on the brown sand as the moon hangs in the blue night. Reproduced a millionfold, this oneiric image became...
...author, a novelist when closer to home (The Eye of the Beholder, Byzantine Honeymoon), suits up in deflective irony for a different game: to produce a travel book with the confident style of the 19th century and the elegiac soul of a modern spiritual nomad. Glazebrook's reflections on the past are a form of detachment as real as the thousands of miles between him and his family in Dorset. Writing about other travel writers distances him from his own encounters on the trail. By ranking subjectivity above literal facts, he finally removes himself to that lonely height where...