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Word: non-human (lookup in dictionary) (lookup stats)
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Last week in Germany such a work appeared. The orchestra pit of the Hamburg State Opera was empty, and up on the stage strode the weirdest bunch of non-human heavies since Wagner peopled his Ring cycle with gnomes, mermaids, dragons and bears. Five 21-ft. chrome-and-steel towers reeled in patterns that owed less to choreography than to the movement of armored tank columns. They were directed from backstage by electronic remote control, and were adorned with mirrors (20 to a tower) that caught the sunburst of spots, strobes and color projectors that beamed down upon them...

Author: /time Magazine | Title: Music: Mad Bag Opera | 2/26/1973 | See Source »

...were left of art, the temptation must have been to succumb or to fall silent. What poets like Popa proposed was no less than a program of animalism, in which the landscape moves as if it were an animal, in which what is most alive is the articulation of non-human speech...

Author: NO WRITER ATTRIBUTED | Title: Poets Vasko Popa | 5/8/1970 | See Source »

...their characters in rehearsal with simple animal personifications that came through in the performance. The only explicit animal metaphor used in performance was the satiric characterization of Aniko (Martha Crawford), Grusha's sister-in-law, as a shrilly blaring duck. But each actor implicitly reflected the sense of some non-human animal at one point or another. This was another device that the Three Sisters production also attempted, again with markedly less success...

Author: By Jeffrey S. Golden, | Title: The Theatregoer The Caucasian Chalk Circle | 1/21/1970 | See Source »

...antagonisms between 'human' and 'non-human' becomes less of an issue, there are fewer, and fewer left with a strong belief in the original concept." said David Armor, assistant professor of Social Relations...

Author: NO WRITER ATTRIBUTED | Title: Soc Rel Dept. May Subdivide | 11/7/1969 | See Source »

...society. He foresees the complete alienation of labor, the stage at which ultimate automation has eliminated all want and necessity and minimized, to the point of elimination, the need for work. Ultimate automation will obviate the values of productivity, utility, competition and mastery and domination of the human and non-human environments which are components of the Freudian reality principle, called by Marcuse "the performance principle." The reality principle, no longer a performance principle, will be fundamentally altered and will lose its repressive aspects. In the non-repressive civilization envisioned by Marcuse, "the subjective and objective world, man and nature...

Author: By Jonathan I. Ritvo, | Title: R. D. Laing and Mystical Modern Man | 2/26/1969 | See Source »

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