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...feast, their one obsessive, consuming goal the constant satisfaction of the senses. Locking themselves away from the world in a mausoleum of a house and shedding civilized restraints, Ferreri's cardboard figures are participants in a porn-movie banquet, questers in search of absolute freedom. At their non-stop weekend orgy, food and sex are available in unlimited supply, and as with the Linda Lovelaces and Felicity Splits of the blue-movie screen, too much is not enough for these celebrants. Once embarked on an orgy of tasting and touching, they are powerless, imprisoned rather than liberated by the spirit...

Author: By Foster Hirsch, | Title: What Makes 'The Grande Bouffe' Different From a Porno Movie? | 10/26/1973 | See Source »

Take Watergate, for example. Breslin did, non-stop for fifteen uninterruptable minutes. Breslin was emphatic in his analysis, lacing the bullshit rhetoric that has propelled him to celebrity status with incisive commentary about American life and politics...

Author: By Peter A. Landry, | Title: Revving Up With Jimmy Breslin | 10/12/1973 | See Source »

...problem is a basic one. If all you see are bad or fraudulent movies there comes a point when you feel like you've got to make up for so many tough punches--being a non-stop shrew can talk you out of likinig yourself. So you come out for an underdog that doesn't deserve your support. Or if you see only one brand of stereotype any other looks unconventional, and therefore good. Kael is so convinced that the worst sell-out in movies is thinking big that she is apt to be lenient on the small scale, thought...

Author: By Emily Fisher, | Title: Kael-aesthetics | 4/16/1973 | See Source »

...teenager, one, Mathilde (Newman's daughter), lost to her out of a love for biology. With slatternly hair and frowsy bathrobe, Beatrice drags out her days on too much coffee and too many cigarettes, reading the want ads and trying to sell dance tickets on the phone. She wisecracks non-stop to waylay despair, but her sense of humor has gone sour and grates on even her daughters...

Author: By Emily Fisher, | Title: All That Glitters Is Not Marigolds | 2/9/1973 | See Source »

Until "Celluloid Heroes." It has none of the Davies whimsy or wit; it is the climax and statement of Everybody's in Show Biz, "I wish my life was a non-stop Hollywood movie show." Ray Davies returned to Muswell Hill, working class hero (more legitimate than Lennon could've imagined) wasting the worriless, painless celluloid life, "Because celluloid heroes never feel any pain-And celluloid heroes never really...

Author: By Freddy Boyd, | Title: Top of the Pops | 11/16/1972 | See Source »

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