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...numbers and most classical composers are just a few of the staggering number of items mentioned. Delbanco likes allusions in English, but he loves them in foreign languages. Most European tongues are represented in Old Scores, had the book been any longer Delbanco would have had to use some non-Western quotes for variety. Rather than adding to the texture of the book, they merely provide a superficial veneer of erudition...

Author: By Elizabeth A. Murphy, CONTRIBUTING WRITER | Title: Not Like That Book by Nabokov: 'Scores' Less of a Draw, More a Loss | 10/24/1997 | See Source »

...footnote on the Heaven's Gate cult, as he consciously disproves his theory that "the fusion of Christian millennialism with traditional beliefs of conquered (and despairing) peoples has often led to particularly incendiary, and tragic, results." After the Heaven's Gate tragedy, Gould realizes this 10-page critique of non-Western apocalyptic beliefs is not only "parochial," but "even a bit condescending." His confession is, to say the least, understated...

Author: By V. MICHELLE Mcewen, CONTRIBUTING WRITER | Title: Questioning Heavyweight Trivia | 10/3/1997 | See Source »

...These would be works which were by common consent necessary to the education of civilized people," Mansfield says. "They would include non-Western works not merely because they are non-Western, but because they are good or great...

Author: By David A. Fahrenthold, | Title: Creating a 'Great Books' Curriculum From the Core | 6/5/1997 | See Source »

...might appear that Disney has hakuna matata'd right off the deep end. Taymor's highly stylized theater work--using masks, puppetry, mime and other non-Western techniques--seems as far from classic Disney animation (and from those dancing teapots in Broadway's Beauty and the Beast) as one can imagine. Taymor admits she was surprised when Thomas Schumacher, a Disney vice president, first asked her if she would like to develop a theatrical concept for The Lion King. "I'm sure if they find something that doesn't work, they'll tell me," she says. "But they asked...

Author: /time Magazine | Title: THEATER: NO DANCING TEAPOTS | 12/16/1996 | See Source »

...work that recalls your favorite professor, started acting at the age of 11, studied mime in Paris and worked in theater while majoring in mythology and folklore at Oberlin College. Her theatrical vision was shaped most decisively by a four-year stay in Indonesia, where she absorbed a whole non-Western ethic of theater. "I was so inspired by being in a culture where theater was the fundamental form of communication," she says. "In Bali, ritual performances are as important as going to school. Theater is not something you pay to see; everyone participates...

Author: /time Magazine | Title: THEATER: NO DANCING TEAPOTS | 12/16/1996 | See Source »

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