Word: nondescripts
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...years, the most modern museum in London has been a scruffy, nondescript gallery in a walkup off Piccadilly. Nonetheless, from its attic offices the Institute of Contemporary Arts has launched most of the exhibitions and manifestoes that have made Britain once again a force to be reckoned with in the arts. Leader of the small founding group was Sir Roland Penrose, now 67, a minor surrealist painter in his own right and longtime friend of Critic Sir Herbert Read and Sculptor Henry Moore. Under Penrose, ICA pioneered in giving major shows to artists from abroad, including Picasso, Max Ernst...
...emphasized during the previous week that the prophet of the poor had been staying at the luxurious Rivermont, a Holiday Inn hostelry on the Mississippi's east bank, which charges $29 a night for a suite. To repair his image, King checked into the Negro-owned Lorraine, a nondescript, two-story cinderblock structure near Memphis' renowned Beale Street (and conveniently close to the Claiborne Temple on Mason Street, kickoff point and terminus for the sanitation marches). At the Lorraine, King and his entourage paid $13 a night for their green-walled, rust-spotted rooms...
...this time, Ian, a nondescript clerk, had met Myra, 18, a typist who soon began moonlighting for Ian as a sadist's apprentice. When their parlor perversities and homemade dirty photographs began to pall, there was very little left to do but to test De Sade's theory: "Murder is a hobby and a supreme pleasure." A young corpse a year, with frequent visits to the graves on the moors, kept Ian and Myra reasonably serene but leaves Williams feverishly laying out plot and explication like a row of tombstones.* He points, he nudges, he oohs...
...ensemble is more than just a theater. Its home, in a nondescript 3½-story building on Manhattan's Lower East Side, is a honeycomb of workshops intended to serve both experienced and fledgling actors, and would-be playwrights and directors. The goal of the ensemble's activity is to speak to Negro audiences in a Negro idiom about the Negro situation-even at the risk of encouraging a kind of cultural separatism. "We've been very loose as far as ideological manifestoes go," says Ward, "but we are Negro oriented and we don't apologize...
This year's HRO is doing something with the music. The difference between Tschaikovsky and last year's Brahms third was phenomenal. Instead of plowing dutifully through the notes at a nondescript mezzo volume, they are seizing the music by guts and expressing it. The tacit thought behind their playing is no longer "see what I can do," but rather "see what I can say." It's about time...