Word: nones
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Dates: during 1970-1979
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...four different affairs budding in four different parts of the whitewashed house during a family party. For the most part though, the affairs are routine--the restless fall to the restless, the pious to the pious, the young to the young, and the bored and middle-aged to none...
...course, none of these disadvantages will be easily overcome. Since the satellites in the 1980s will almost certainly have to turn increasingly to OPEC for oil, there will be more inflation and shortages. That is causing considerable worry among the commissars. The trade-off for the deprivation of individual rights was always supposed to be steadily improving economic conditions. That is now proving ephemeral. So disillusionment, discontent and defections to the West are reaching epidemic proportions. If prices continue to soar, the political explosion could be immense...
...guide's complaints about El Al range from the food, strictly kosher and inedible, to staffs that seem "tired, unenthusiastic, indifferent and undisciplined. . . None of our inspectors would willingly fly El Al again." Next lowest ranking goes to boozeless Iran Air; while no sane American would ride the Khomeini carrier today, it has never been very good...
...past two decades, Clyfford Still has enjoyed a reputation as the Coriolanus of American art. No other living artist has so vociferously loathed the art world as a system. None has managed to keep a closer control over the fate of his work. Since the 1940s, when he emerged as one of the founding fathers of abstract expressionism, Still has jealously guarded his output, releasing few paintings to collectors, rarely showing in private galleries, insisting on conditions of display that few museums were prepared to meet. Consequently, his farm outside Westminster, Md., houses most of his immense oeuvre; and though...
...opposition to the cubist tradition with its small scale, ambiguities of space and geometric calibration. What he wanted, and had found by 1947, was a much simpler, grander and more declarative kind of structure: opaque, ragged planes of color rearing up the surface, emphatic in their brush-work-none of the characteristic cubist tonal flicker-and engulfing in their sheer size. If cubism was the art of hypothesis, Still would contradict it with an art of crushing visual fact. In doing so he hoped to make a clean leap out of modernist history into images "not proven by a continuum...