Word: nonetheless
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Dates: during 1960-1969
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...Nonetheless, the Faculty's belief that the demonstration was repugnant is correct. The students who sat-in rested their defense on a dangerous belief that the war is so immoral that it justifies infringements on individuals' fundamental rights of free discussion and movement...
...that any such aberration will recur, or at least in so virulent a form. On the contrary, the generally permissive reception accorded last week's demonstrations suggests that the American electorate has matured considerably since the hagridden, self-doubting days of the early 1950s. There is a danger, nonetheless, that continuing and escalating disorders on the pattern of last week's outbursts could lead not to a freer and more constructive dialogue about the direction of U.S. foreign policy but to an increasingly emotional standoff between intransigent extremes. That outcome, for all the efforts of the peacemakers, would...
Critics were quick to accuse the Government of overreacting, and some even charged that the Administration had attempted to stifle the protest in advance by publicizing the capital's no-nonsense preparations. It was clear, nonetheless, that Lyndon Johnson was adhering to the precept set forth in a 1965 Supreme Court decision rendered by U.N. Ambassador Arthur Goldberg, then an Associate Justice. "The rights of free speech and assembly," wrote Goldberg in a majority opinion, "while fundamental in our democratic society, still do: not mean that everyone with opinions; or beliefs may address a group at any public place...
...material as well as topic, they are timely, for the smoothly lacquered collages are built of magazine scraps and subway billboard posters painted, pasted together and occasionally combined by photomontage. Nonetheless, the pictures illustrate the difference between journalism and art, for Bearden brings to his panoramas a poet's fantasy, a professional's technique, and a philosopher's understanding of reality...
Stoppard hugely enjoys honing language to the precision point. Nonetheless, a play that rides on words as heavily as does R. and G. ought to have rid itself of some. Even the tensile strength of Derek Goldby's direction cannot keep segments of the drama from dialogyness. There is nothing logy about Brian Murray and John Wood in the taxing title roles. Every shifting breeze of the play's moods crosses their faces: they can summon up anxiety, false courage, utter bafflement, and honest fear with a flick of the lip, or a twist of the torso. They...