Word: nonstop
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...slang-throwing rappers and chess-playing b-boys flow, not to mention the beginning of my own interest in hip-hop.I spent my first semester at Harvard slightly unmoored, thanks to ill-matched roommates and general freshman-year over-stimulation. So, I opted to channel my energies into nonstop Moral Reasoning-related freakouts rather than, like, joining organizations and making friends or whatever. It wasn’t until sophomore fall when I received a Facebook message inviting me to comp The Darker Side, WHRB’s hip-hop department, that I began participating in the frantic extracurricular...
...come to the movie and they’ll enjoy themselves and they’ll laugh but that they’ll also feel something deeper and think about something in their own lives in a new way. If that can happen then all these four years of nonstop work and play will be worth it.” —Crimson staff writer Jessica A. Estep can be reached at jestep@fas.harvard.edu...
...that their careers have outlasted those of Western action stars? Chan has been in nearly 100 films since he did bit parts as a child actor. Li's been making movies nonstop for 26 years. Shouldn't their bodies, let alone their audiences, have given up by now? Steven Seagal made fewer than 20 features. Jean-Claude Van Damme had about a decade's worth of wide releases. Arnold Schwarzenegger managed 20 years of action stardom, and he's considered the gold standard...
...look back.The real genius of “Afterparty Babies”lies in the lyrics. Cadence Weapon is atonce eloquent, sarcastic, witty, and exceptionallyobservant. Over the courseof the album, he alternates between hissteady flow and a slower, less regular styleof speaking. The fusion of a nonstop upbeattempo and perfectly timed vocals onsuch tracks as “Unsuccessful Club Nights”and “House Music” is irresistible.Unlike many mainstream rap artists,Cadence Weapon’s music steers clear of aformulaic sound.The standard, commercially successfularrangement of verse-chorus alternationis noticeably absent from...
...songs, the nonstop snazz and of course the bawdry - or, as she puts it, "hits, glitz and tremendous tits." Innuendo goes out the window when Miss M. comes to town. The clerk at the ticket desk offers the friendly warning that this is "adult entertainment," and inside you'll hear Midler caution the crowd, "Please don't call the Pope if you see a tit or two." You won't have to phone Rome; skinwise, the show is pretty chaste. Bette relies on one of her longtime characters - Soph (for Sophie Tucker), the oldest babe in show business - to supply...