Word: nora
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...York City Opera Company a year ago, Clamma, a Juilliard graduate, taught music and the poetry of Goethe and Schiller to prisoners on New York's Riker's Island. She hopes to play such operatic rolls as Margherita in Mefistofele and straight dramatic parts like Nora in A Doll's House...
...Beta (originally a play, adapted with minimal cinematographic flourishes for the screen). Instead of the flippant, mostly harmless satire of a foray into the "Now Generation" that, say, I Love You, Alice B. Toklas turned into, this simple film, focusing entirely on Finney's Frank Elliot and his wife, Nora, played by Rachel Roberts, jolts us with an unrelentingly realistic, though extreme, view of the psychological crisis of a not old, but not young couple who choke on all the subtle lies needed to sustain the new 'honesty...
...just what you're after. The heroine is a pretty feminist who becomes a college president at 29-with her husband working for her as an administrator. No book or script yet, but if you check this month's Esquire, it's all right there in Nora Ephron's piece called "The Bennington Affair," a wicked cross between Updike's Couples and McCarthy's The Groves of Academe...
Alpha Beta covers a decade in the Elliots' marriage, starting in the early 1960s on the day of Frank's 29th birthday and ending after their separation, with Nora first threatening, then retreating from suicide. Alpha Beta was originally a successful play by Scenarist Whitehead, and its three episodes still seem very much like short, jagged acts. The whole feeling of this small, stormy movie is enclosed, constricted. No effort has been made to enlarge the action of the play, but the theatrical qualities of the writing are not emphasized either. Director Anthony Page stages most...
...cast consists, in its entirety, of the original London stage company: Rachel Roberts, an actress of daunting strength, who works hard to give Nora some of the sympathetic understanding the author neglected; and Albert Finney, a prodigious actor who is masterly at containing and then portioning out his power. His Frank is a creation of fierce bluster and desperate anger. Even while he is railing, Finney can convey -in the sidelong unease of a glance, a little twitch of uncertain anxiety-the small, sabotaging currents of helplessness and terror. Jay Cocks