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...duets, but this is the kind of thing we expect more from pseudo-lounge singers like Rod Stewart. They pair up with young artists to raise record sales by bridging the gaps between their audiences, as in the case of the his duet with Norah Jones on “Here We Go Again,” for which Charles won 2005’s “Record of the Year.” Maybe some old-time Charles lover will enjoy the duet and go out to buy a Norah Jones record, and maybe a younger Norah Jones...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...pause here for a moment. So you’re right about the Grammys being a blowhard event nowadays (well, always, but even more so nowadays), but let’s look at Mr. Charles’s wins a little more fairly. The duet with Norah Jones? Contrived, yes, but worse duets of its nature have been conceived—touching or not, I still think Natalie Cole and Father was a dumb idea. At least Jones and Charles are interesting as a pairing, since they’re both pianists, they both straddle the line between jazz, blues...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

...duets, but this is the kind of thing we expect more from pseudo-lounge singers like Rod Stewart. They pair up with young artists to raise record sales by bridging the gaps between their audiences, as in the case of the his duet with Norah Jones on “Here We Go Again,” for which Charles won 2005’s “Record of the Year.” Maybe some old-time Charles lover will enjoy the duet and go out to buy a Norah Jones record, and maybe a younger Norah Jones...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

...pause here for a moment. So you’re right about the Grammys being a blowhard event nowadays (well, always, but even more so nowadays), but let’s look at Mr. Charles’s wins a little more fairly. The duet with Norah Jones? Contrived, yes, but worse duets of its nature have been conceived—touching or not, I still think Natalie Cole and Father was a dumb idea. At least Jones and Charles are interesting as a pairing, since they’re both pianists, they both straddle the line between jazz, blues...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

Chris: Now the philippic begins, Drew, as you’ve deftly swung the discussion back to a point I started to make above: Mayer, along with Norah Jones, winner of 3, Alicia Keyes, winner of 4, U2, winners of 3, Springsteen, winner of 1, Maroon 5, and even best alt album winners Wilco are part of this bland, inoffensive slate of artists with an immense populist appeal that never does a whole lot to challenge convention...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/17/2005 | See Source »

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