Word: norah
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...Norah (Shirley MacLaine) is rich, divorced, anxious, a woman fighting a losing battle against becoming a matron. A familiar enough character, but one with an odd quirk: Norah has an uncommon affection for her younger brother Joel (Perry King), who lives in a shabby flat in the middle of a forbidding Manhattan slum. "Why do you live down there with those people?" Norah nags, but Joel only grins...
...grins even after he has been released from Bellevue, where he was committed after trying to strangle the superintendent of his apartment building. He was not, it seems, lodging a complaint about vermin and bad plumbing. His rage remains unexplained, and Norah, who has taken him in, is too busy fussing over him and wrestling with him on the bed to pay it much mind. She does become concerned, however, when she hears loud Latin music blasting from behind his locked door and two distinctly different voices speaking Spanish when Joel claims he is alone. Norah sends Joel...
Joel grows ever more savage and even takes to intimidating Norah's two kids. Meanwhile, a beautiful model, a girl friend of Joel's, is found beheaded in her apartment. The killing, the po lice insist, bears an uncanny resemblance to mutilations performed the previous summer in Central Park by a Puerto Rican named Tonio Perez. Tonio was a close friend of Joel's, but Tonio, as it happens, is now dead...
...incidentally, is casually vicious toward Puerto Ricans, who are mostly portrayed as primitives who are prey to ghastly superstition and threatening to high-toned women. Director Waris Hussein is, from the evidence of this movie, unclear about the difference between suspense and brutality. For some heavy atmospherics, he has Norah's apartment festooned with African masks. For shock he lingers lovingly over close-ups of newly decapitated heads. Whenever he needs some tension, he brings on Actor Perry King to snarl, suggest acts of elaborate sadism and terrify the children. Shirley MacLaine's performance is very good...
...with incomes that can run well into six figures annually. They all feel their writing matters, and few are willing to admit they write formula fiction, let alone "women's novels." Says Mary Stewart: "I cannot read what you would call a woman writer." Speaking of critical neglect, Norah Lofts says, "I feel neglected, I feel infuriated, I feel resigned-sometimes all at once. I just think it's very wrong because it may deprive some people of the joy that a good read would give them...