Word: norah
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DIED. Arif Mardin, 74, record producer and arranger who, over an illustrious 40-year career, helped create the R&B-pop "Atlantic sound," won a dozen Grammys and artfully guided recordings by musicians who included Aretha Franklin, Chaka Khan, Bette Midler and, most recently, Norah Jones; of pancreatic cancer; in New York City. After his production Good Lovin' became a No. 1 hit for the Young Rascals in 1966, the Turkish-born jazz lover arranged and co-produced two of the Queen of Soul's defining albums--I Never Loved a Man the Way I Love You and Lady Soul...
...DIED. Arif Mardin, 74, record producer and arranger who, over an illustrious 40-year career, helped create the famed R&B-pop "Atlantic sound," won a dozen Grammys and artfully guided recordings by musicians who included Aretha Franklin, Chaka Khan, Bette Midler and, most recently, Norah Jones; of pancreatic cancer; in New York City. After his production Good Lovin' became a No. 1 hit for the Young Rascals in 1966, the Turkish-born jazz lover arranged and co-produced two of the Queen of Soul's defining albums?I Never Loved a Man the Way I Love You and Lady...
...home situation—by netting two pucks against the Saints’ Meghan Gluckian. The first opened the scoring midway through the first period on Friday, while the second proved to be the game-winner. On the latter, Solley received a pass from the stick of Norah Sluzas on the blue line and put a shot on net. Gluckian stuffed the offer, but Solley picked up the rebound, and after going around the net, beat the Saints’ goalie for the game-winner with just under six minutes left to play. Junior Jennifer Sifers—who assisted...
KATHARINE MCPHEE, 21 Los Angeles Sounds like: Norah Jones Judgment call: She's got the pipes of a Streisand, a voice-coach mom and girl-next-door appeal. Kelly Clarkson, watch your back Her odds...
...beat vibe. Within the deeper registers of country instrumentation, the listener simply can’t make out what she’s singing. The arrangements do little to make up for the bland vocal performances: the sound is cut-rate honky-tonk blues alternated with cut-rate Norah Jones jazzy-pseudo-neo-soul. That’s not to say it’s all bad, because when Marshall puts some effort into it, as in the title track, it’s lovely. The yearning vocals, echoed by the frustrated backing band, give this experiment its best results...