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...unhappy child of 14. She returned svelte, successful, the wife of an Italian millionaire, a diva more widely hated by her colleagues and more wildly acclaimed by her public than any other living singer. She returned to open the season next week in Bellini's Norma at the Metropolitan-which only eleven years ago just could not seem to find a suitable role...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

...duet. In the death scene of Fedora, in which sopranos tend to expire stiffly on a divan, Callas staggers from it, sags to her knees, drags herself up, crawls towards her lover's room, collapses again before she finally rolls down and dies. In Norma she has cried real tears. Operagoers. long reconciled to the classic, three-gesture range of other prima donnas, are astounded and delighted...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

...role after another, and Maria Callas began to find her niche. She blanketed Italy with her performances, made two tours to Latin America, getting wilder receptions at every appearance. In Genoa cheering fans carried her on their shoulders through the streets. In Trieste she was hailed as the "greatest Norma in history." But Maria decided that she was miserable. "I hated singing," she says. "I was terribly in love. It took me away from my husband." A shipboard companion remembers her on a trip to Latin America...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

...believe that a sensitive girl like Deborah would ever have married him. John Kerr puts remarkably little imagination into the part of the boy; it .often reads much better than he plays. it. Deborah Kerr, on the other hand, is excellent: always in scale, always in key. And Norma Crane does some wonderful flobbing around the screen as the slavey and general grab bag at the local hash house. 1984. (Holiday; Columbia). Things to come, as George Orwell saw them in his clever antitotalitarian tract, written in 1949, have assumed a horrifying political shape by 1984. The State is everything...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 8, 1956 | 10/8/1956 | See Source »

...NORMA FLAXEN New York City...

Author: /time Magazine | Title: Letters, Sep. 10, 1956 | 9/10/1956 | See Source »

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