Word: normalizing
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Dates: during 1960-1969
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KARLHEINZ STOCKHAUSEN: GRUPPEN FOR THREE ORCHESTRAS; CARRE FOR FOUR ORCHESTRAS AND FOUR CHOIRS (Deutsche Grammophon). Composed between 1955 and 1959, these scores represent Stockhausen's first space compositions using nonelectronic sounds. Significantly, both works had their premieres in large, barnlike fairground buildings rather than on normal concert stages. In Gruppen, three orchestral groups totaling 109 players curve around three sides of the audience; in Carre, four groups of 20 players each, plus eight to twelve singers, face outward from a central circle. Both compositions fill the air with hard-edged blocks of dissonance that collide, clash and splinter with...
ELLIOTT CARTER: DOUBLE CONCERTO (Columbia). This terse, intensely cerebral score creates its stereophonic effect across the expanse of a normal concert stage, as two small orchestras, one centered around a harpsichord and the other around a piano-but both conducted by Frederik Prausnitz -toss questions and answers back and forth on some unnamed, obviously serious topic. The most striking musical effect is a slow, undulating, ill-tempered growl from the percussion toward the end of the piece that seems to sweep back and forth from one group to the other, murmuring imprecations at both...
...utter isolation or thrust into a cell group without a shred of privacy. He may be forced to sit or stand in the same position for hours on end until his bodily functions go awry. His interrogators may keep him constantly unnerved, preventing him from sleeping, exploiting his normal feelings of guilt by focusing on painful events in his life. The interrogator may alternate kindness with brutality; a strange bond, which does not exclude a measure of affection, develops between captor and captive. Write Psychiatrists Lawrence E. Hinkle Jr. and Harold Wolff: "The interrogator is dealing with...
...police-many of them Paisley sympathizers-staged a raid on Bogside, the Catholic slum area. They beat passersby, smashed windows and shouted into darkened houses, "Come out, you Fenian bastards." Catholics responded by setting up vigilante patrols to protect themselves, closing off their section of the city to normal traffic...
...normal impulse before her interdiction...