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...answer turned out to be simple: perseverance and heaps of cash. Within three weeks, he found a temporary stage for his band. A year later, he had rebuilt his theater for $2.5 million--$1 million more than the insurance settlement. Says saxophonist and bandmate Norman Carlson: "He's always striving to make things work...

Author: /time Magazine | Title: Riding High | 9/29/2003 | See Source »

...aged fans in the spring, families in the summer and seniors in motor homes in the fall. When Gilley is not there, he's on the road with his 11-member band. "The energy that made him want to play and perform and entertain still exists," says Jim Ed Norman, president of Warner Bros. Records Nashville and a producer of several Gilley albums. "It's a primal, core essence of what artists are." Gilley also owns restaurants in Houston and Branson and licenses his name to a Las Vegas venue in addition to the Dallas club...

Author: /time Magazine | Title: Riding High | 9/29/2003 | See Source »

...birds and even talking about opening another restaurant. Of course, Gilley claims he will retire--he just wants 10 more years. To those who know him, though, that's a conservative figure. "My guess is that one night while playing piano, he'll go to meet his maker," says Norman. "As long as one person will come to hear him sing, he'll keep playing...

Author: /time Magazine | Title: Riding High | 9/29/2003 | See Source »

...agree that Arnold has his triumph-of-the-will side. So do Madonna, P. Diddy and Norman Mailer. Beyond a consuming ambition and an unshakable faith in his destiny, what is he about? Even longtime friends say he can be a little mysterious. "If you follow Arnold carefully, he always has a new circle of people," says Butler. "He's not keen on having people get too close to him and know too much about him before he moves on to the next group." Or you can look at it the way Lou Pitt does. Schwarzenegger's former agent says...

Author: /time Magazine | Title: The Mind Behind the Muscles | 8/18/2003 | See Source »

...gray hair and a walrus mustache, the exhibit attempts to distinguish art that stands the test of time from socialist kitsch. That meant excluding some well-known work from the period, such as Walter Womacka's idyllic couple in Junges Paar am Strand (Young Couple at the Beach), a Norman Rockwell-like painting that could once be found in many East German homes. Some critics complain that such exclusions constitute a cleansing of East German art, and play down the intellectual constraints under which artists had to work. But März says he simply dismissed paintings that didn...

Author: /time Magazine | Title: A Peek Behind The Wall | 8/3/2003 | See Source »

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