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...That wouldn't be an advertisement, would it? The first side is uniformly bad, sounding something like one of Ray Scott's compositions. The second, done in boogie-woogie tempo is better, but shows that Teddy Wilson can't play this style . . . To find why many musicians like Red Norvo's band, listen to "I Get Along Without You Very. Well" (Vocation) . . . Teddy Wilson's "More Than You Know" (Brunswick) with Billie Holiday vocal and Benny Carter alto sax has that proper feeling that goes into a real swing record . . . Made three days before she started to sing regularly with...

Author: By Michael Levin, | Title: Swing | 3/3/1939 | See Source »

...regard to the above that I find Red Norvo's band to rank with Jimmy Dorsey and Bob Crosby as the best white band in the country. Norvo himself is superb, plays delicate expressive solos that cut right through you while at the same time managing to yield fine swing. The band itself has that colored lag, playing just behind the beat, that is so essential to good swing, while at the same time playing with a precision that few colored bands ever reach. Ray Noonan (trombone), Stewy McKay (tenor sax), and Buddy Christian (drums) all contribute to the fine...

Author: By Michael Levin, | Title: Swing | 2/24/1939 | See Source »

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