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MOZART: PIANO CONCERTOS NOS. 13 AND 17 (Columbia). French Pianist Philippe Entremont, 34, makes his recording debut as conductor in addition to playing the piano solos. There is plenty of precedent for the dual role: Bach at the keyboard, Mozart at the violin, playing and leading simultaneously. Entremont the conductor picked Mozart "because of the relatively small forces involved and the relatively simple rhythms," but it is Entremont the pianist who makes this a masterly record. Set off by the responsive but docile Collegium Musicum of Paris, his special gifts of musical veracity and taste enhance familiar music and make...

Author: /time Magazine | Title: Television: Jul. 26, 1968 | 7/26/1968 | See Source »

...Esterház (in eastern Austria), Haydn created operas, symphonies and chamber works whose freshness remains remarkably vivid. The Prince gave him a crack orchestra, and Haydn taught it a dramatic musical vocabulary unknown before his time. When it pleased him, he would begin a symphony (Nos. 22, 49) with a long slow movement instead of the expected brilliant allegro. Some of his effects were comic: in the finale of Symphony No. 60, the violins are asked to mistune their lowest string from G down to F, then pause in mock horror and raucously retune. At the end of Symphony...

Author: /time Magazine | Title: Music: COMPOSERS: Rebel in Uniform | 12/1/1967 | See Source »

PETER SERKIN: BARTOK: PIANO CONCER TOS NOS. 1 AND 3 (RCA Victor). It requires tremendous energy to beat out Bartok's spooky rhythms on a piano, and 19-year-old Peter Serkin spares not an ounce of vigorous intensity. But not all of the album's music is composed of harsh explosions of frenetic percussion; the "night music" in the Third Concerto was inspired by the bird and insect sounds of Asheville, N.C., where Bartok sketched out the music during a visit in 1944. Conductor Seiji Ozawa, 31, matches Serkin's youthful sympathy with Bartok...

Author: /time Magazine | Title: Time Listings: Jul. 14, 1967 | 7/14/1967 | See Source »

...legendary grassy knoll. A Dallas woman who no longer lists her telephone number -- Mary Anne Moorman -- took the photograph moments after the fatal bullet struck President Kennedy. Lifton and Marcus observed a total of five possible human images behind the wall in the background, including two (designated nos. 2 and 5) in which one can see a suggestion of a gun. Although the other three images are more questionable, Marcus is certain both 2 and 5 are valid. For each he has what he considers independent corroboration--a faint suggestion of a figure in the ITEK photo...

Author: By James Lardner, | Title: An Amateur Sleuth Fights A 'Civil War' | 6/2/1967 | See Source »

...Simple Matter. Early last week Radványi called his office to say that he planned to take a few days off. Next he called "American authorities"-most likely his old friend Dean Rusk-to ask asylum for himself, his wife Julianna and their son János, 15. When his housekeeper, a watchdog assigned by Budapest, returned to the Radványis' house at 2838 Arizona Avenue, N.W., from a shopping trip the following afternoon, the three occupants had disappeared with their possessions and left no forwarding address (they went to a suburban hideout). Forty-five minutes later...

Author: /time Magazine | Title: The Capital: Crossing the Potomac | 5/26/1967 | See Source »

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