Word: nos
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...physics courses Nos. 205-206, 61.5% of the students flunked or resigned during the academic year 1955-1956. The next year's figure...
...Nos. 1 & 2. The U.S. will give intermediate-range ballistic missiles and the nuclear warheads for them to the Supreme Allied Commander Europe-currently U.S. General Lauris Norstad. SACEUR can then pass the missiles on to any NATO country that i) wants them, and 2) in his opinion, has strategic need of them. Custody of the warheads will remain in the hands of SACEUR acting solely in his capacity as a U.S. officer. Thus no significant modification of the McMahon Act (which makes it illegal to put U.S. nuclear weapons in the hands of non-U.S. forces...
...proposes development of "a NATO family of weapons." Expanding on Papers Nos. i & 2, the U.S. contemplates a three-stage missile development program for Western Europe. In the first stage, the U.S. would turn over to its NATO allies missiles designed and produced in the U.S. In the second stage, missiles designed in the U.S. would be manufactured in Europe. In the final stage, NATO missiles would be both designed and produced in Europe...
Beethoven: the Late Quartets Nos. 12-16 (Hollywood String Quartet; Capitol, 5 LPs). Despite its frivolous name-its members are movie studio musicians-the Hollywood Quartet is a first-class outfit, and it meets this Everest of chamber music on its own heights. It lacks the bite, power and drive of the Budapest, whose Beethoven performances are unique, but its tone is warmer. In the haunting sighs and groans of the tragic No. 14, the Hollywood dips beneath the surface to the inner life of a matchless work...
Last week, with the critics admitted once again, Richter was obviously out to rehabilitate himself. His 2½-hour program included two secular Bach cantatas (Nos. 214 and 207A), the Violin Concerto in E Major and the Brandenburg Concerto No. 6. The Brandenburg was the most unorthodox. In keeping with Bach's principle that any number can play, Richter had the work performed by only eight players-two violas, a cello, two violas da gamba, two string basses and a harpsichord. It emerged as a chamber work with crystal transparency, uncovering contrapuntal voices heard as they were seldom heard...