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...versions are as different in mood and style as they are in composition. In No.1, says Critic Venturi, "everything is realized in the spirit of the characters rather than in the demonstration of the event." But in Nos. 2 and 3, Painter Caravaggio was clearly trying to stress dramatic, physical movement-a concession, says Venturi, to the classicist critics...

Author: /time Magazine | Title: Art: St. Matthew by X Ray | 12/22/1952 | See Source »

...songs I thought Mr. Mandelbaum's settings of Psalms Nos. 139 and 140 for mezzo-soprano and cello showed the greatest freedom in the handling of a vocal line. He took excellent advantage of these highly dramatic texts and displayed an appropriate variety of moods while maintaining a stylistic unity with in the pair. Mr. Feder's settings showed a greater simplicity, more of a desire to render the texts than to interpret them. Yet his songs were to from colorless, I especially enjoyed the mock heroic piano recite after the Found liner. "And I would rather have my sweet...

Author: By Alex Gelley, | Title: Composers' Night | 12/19/1952 | See Source »

...program featured two Bach contatas, Nos. 51 and 202, for soprano and chamber orchestra. It was a taxing assignment for the soloist and Miss Lunn showed signs of strain near the end of the program. Her voice is by no means powerful and her approach to the music is restrained and undramatic. The opening of the secular cantata Weichet ner, betrubte Schatten, for example, dragged on quite feebly and missed altogether the suggestion of mysterious forces of nature at work during the changing of the seasons...

Author: By Alex Gelley, | Title: Jean Lunn | 11/7/1952 | See Source »

...Salas, planning to keep his crown the same way he won it-by covering up in the early rounds and letting Carter tire-never got a chance to try such tactics. Carter blasted his way in, hurt Salas in Rounds 3 & 7, was the aggressor in all rounds except Nos. 11 & 12, when Salas rallied. Toward the end, far ahead on points, Carter coasted to victory...

Author: /time Magazine | Title: Sport: Who Won | 10/27/1952 | See Source »

Married. Gene Markey, 56, screen writer, producer (The Hound of the Baskervilles, The Adventures of Sherlock Holmes); and Mrs. Lucille Wright, 55, owner of the Calumet Farm racing stables; he for the fourth time (Nos. 1, 2, 3: Joan Bennett, Hedy Lamarr, Myrna Loy), she for the second (she is the widow of Baking Powder Magnate Warren Wright); in Manhattan...

Author: /time Magazine | Title: Milestones, Oct. 6, 1952 | 10/6/1952 | See Source »

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