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Word: nosing (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

When he arrived in Washington, a newsman sought a pronouncement on world affairs. "You wouldn't want me to lose my job so soon, would you," countered the ambassador. "Just tell them I have a red face and a big nose. They always say that about...

Author: /time Magazine | Title: FOREIGN RELATIONS: The Ghost Goes West | 6/10/1946 | See Source »

Outside the office of Secretary of State Byrnes, curious reporters made another try. Whimsically, Inverchapel explained that until he had presented his credentials to the President he was only "a ghost, an astral body." The solid ghost, with a red face and a big nose, then evaporated in the general direction of the solid and stately British Embassy on Massachusetts Avenue...

Author: /time Magazine | Title: FOREIGN RELATIONS: The Ghost Goes West | 6/10/1946 | See Source »

Note of Cheer. In his friendliest, let's-be-reasonable manner, "Hump" Mitchell turned the delegation down. Removal of wage control, he said, would breach the Government's anti-inflation barrier. Hump shifted his spectacles to his nose's tip, wagged a warning forefinger: "If you give effect to this [strike] policy, you will be endangering the organizations you represent." On that note the interview ended...

Author: /time Magazine | Title: Canada: THE DOMINION: Strikes Are Inevitable | 6/3/1946 | See Source »

...Carnival Week, as in any week, the most spectacular figure in Memphis was still 71-year-old Mister Crump. When he passed, in a gleaming new Chrysler, sidewalk idlers gawked as if they had spied the Mad Mullah of Tud, nose ring and all, cracking pecans on the Hope Diamond. Ed Crump did not ignore them. As he rode on casual journeys through his domain he watched the pavements as sharply as a kingfisher hunting shiners; his pink face lighted at the first sign of recognition. If people turned, he snatched a wide-brimmed grey hat from his ear-long...

Author: /time Magazine | Title: TENNESSEE: Ring-Tailed Tooter | 5/27/1946 | See Source »

Enter Ferrer, a rare genius in the American theatre. This is the man who made Margaret Webster's Othello with his real and living Iago. He has at least equalled that triumph with Cyrano. This character, plagued by an obscene nose, must be "all things." After the first act, Ferrer makes the spectator forget that nose. Declaiming with high spirit, he leaves the audience gasping at the arched flight of his slick patter. He is meant to be a swashbuckler, and Ferrer gives it everything as he swaggers and gesticulates in the mixed role of philosopher, poet, soldier, and self...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 5/25/1946 | See Source »

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