Word: nosing
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...spirit in which Jimmy Carter campaigned for the White House. But in the past twelve months, economic and political thought has gone through a wrenching change. In the words of Economist Otto Eckstein, a member of TIME'S Board of Economists: "1978 was the year in which our nose was rubbed in the new reality." Part of the new reality is that inflation is Public Enemy No. 1, that it is persistent and pervasive, and that it has built up such terrifying momentum in the U.S. as to be unstoppable, for the moment, unless the nation reduces the roughly...
...fist can change the expression with considerable subtlety. Not simply smiles, but wistful smiles are possible. If the face is relatively stiff, like that of Kermit's formidable friend Miss Piggy ( her head is carved from a block of plastic insulating foam), then, although a certain degree of meaningful nose crinkling is possible, expressiveness is largely an illusion created by body movement and voice. In either case, the puppeteer can synchronize the figure's lip movements to its speech, a technique Henson originated early in his career. Muppet jaws do not move with each syllable?that would make bigmouthed figures...
...spent by the water authority for pollution control, private firms have paid out upwards of $200 million for their own treatment plants. Is there a reason for this extraordinary and costly cooperation? Says a water authority spokesman: "The fortuitous thing about the Thames is that it runs beneath the nose of Parliament...
...just any gossip column, you protest. This is Ear. And you don't read it to nose into the lives of D. C. superstars. It's not the talk of Joe Califano and his rooster pepper sausage, or the Rafshooning of America, or the latest a' deux in that little Georgetown cafe that makes the Washington Star's Ear so popular. It's the style, the "jolly pariah" attitude as Ear's creator Diana McLellan describes herself, the fast-paced staccato prose and irreverent wit that draws Ear's following...
...running a business that is firmly based on psychology and fashion. He gossips delightedly about a competing company's "nose" (perfume tester) who, he insists, has hardly any sense of smell at all, and he is wryly amused by the copycat nature of the industry. Any new shade or fragrance that looks salable will almost instantly spur development of three or four nearly identical competing products. Says Bergerac: "Maybe that is one definition of creativity." He denies that Revlon stoops to any industrial espionage, though he believes competitors do and suspects that such shenanigans are inefficient anyway. More than once...