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...looked like a young heavyweight boxer: broad shoulders, thick, sinewy arms and rock-hard legs. The loping stride is strong. Only the white hair, cut short, betrayed his age. Suddenly Brando turned toward me and the illusion of youth vanished. That famous face with its jutting forehead and broken nose is a face that has seen and experienced everything. His wet shirt hugged a fat belly. "Poachers," Brando whispered, looking at two young Polynesian boys lying on the sand. They smiled nervously. Brando studied them hard for a moment and slowly moved away. "They're O.K.," he said. "They...

Author: /time Magazine | Title: Cinema: The Private World of Marlon Brando | 5/24/1976 | See Source »

Diary of a Madman. Gogol may have been the only writer to really understand the importance of noses in human interaction. In fact, one of the saddest stories I know is connected--rather painfully--to Gogol's own probiscus. He always had a feeling that noses were symbolic, and extremely influential in the development of one's personality. At the same time, however, he was fairly neurotic. Near the end of his life he began to believe that a spirit in his stomach was keeping him from eating, and he got thinner and thinner until finally his archaic doctors decided...

Author: By Gay Seidman, | Title: Stage | 5/20/1976 | See Source »

Perched in the nose of a Delta rocket, one of the simplest satellites ever built by the U.S. roared off the launch pad at Vandenberg Air Force Base last week to begin an 8 million-year journey in space. The 2-ft. sphere, placed into a 3,600-mile-high circular orbit, contains no moving parts or electronic equipment and resembles an oversized golf ball. Yet it should provide earthbound geophysicists with a benchmark in the sky that will enable them to measure precisely the rotation rate of the earth and the wobble of its axis, continental drift...

Author: /time Magazine | Title: Science: Golf Ball in the Sky | 5/17/1976 | See Source »

Sutherland's metamorphosis into Casanova begins each day with 3½ hours of makeup application, which supplies him with a Romanesque nose and jutting jaw (Fellini has filmed him almost entirely in profile). These details resemble those in portraits of the real man. But as usual, Fellini goes further. Sutherland's scalp has been shaved clean for three inches up from the hairline and his eyes lined into a definite slant. The result is a highly stylized, almost Kabuki look that conforms amazingly to a sketch of Casanova drawn by Fellini-who was once a cartoonist -months before...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

...snow. The scene represents the dying Casanova's final thoughts about the city of his youth. On signal from the director ("Go, Donald"), Casanova moves slowly across the ice, his black cloak fanned open by the night wind. He pauses, kneels down on the ice, his beaked nose like that of a bird of prey...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

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