Word: nostrae
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Emmy voters are not exactly like mafiosi--the Cosa Nostra places greater emphasis on giving people what they've got coming to them--but they too honored the series last year with 16 nominations, including a stunning four of the five slots for drama writing (Chase and James Manos Jr. won for the episode in which Tony takes time out from a college tour with his daughter to kill a Mob informer). The show won only four statuettes, but its dominance of the writing category was its most appropriate tribute. For all its crisp direction, impeccable casting and at least...
Just in case we haven't sussed out the metaphor from dozens of other movies and books devoted to romanticizing Cosa Nostra, Mario Puzo's The Last Don, a six-hour mini-series (beginning May 11, 9:00 p.m. E.T., CBS) based on the author's best-selling 1996 novel, is here to remind us that the Mob functions no more or less rapaciously than any corporation or government, and at least its employees know a good prosciutto when they see one. Hollywood studios are run by vicious souls, the movie tells us; politicians are a meretricious and evil-thinking...
...charm, I reached for the nearest concilliari: the On-line Mafia Guide. You could create a small (albeit criminally insane) nation from the number of mafia fans on the web. From "John Gotti's Homepage" to "Gangster Mansion," the devout are eager to share the legacy of "La Cosa Nostra," even with a confessed Irish girl from upstate...
...Rise and Fall by Jerry Capeci and Gene Mustain, as well as on FBI surveillance-tape transcripts and press accounts, Gotti the movie gives us the former Gambino crime-family boss as a Puzo-esque romantic, a faux plumbing-supply salesman who longs for the days when the Cosa Nostra had real structure, when family loyalty meant something, when the Mafia wasn't so enthusiastically in the business of mergers and acquisitions. "You got a worldwide crime syndicate now," the imprisoned don, played by Armand Assante, bemoans at the end of the film. "There's no rules, no parameters...
...whack or clip or even scungilli. Based on the book 'Gotti: Rise and Fall' by Jerry Capeci and Gene Mustain, Gotti the movie gives us the former Gambino crime-family boss as a Puzo-esque romantic, a faux plumbing-supply salesman who longs for the days when the Cosa Nostra had real structure, when family loyalty meant something, when the Mafia wasn't so enthusiastically in the business of mergers and acquisitions. "Gotti may have had different ideas about the Mob's purpose in life," says TIME's Ginia Bellafante, "but the filmmakers are so entranced by the sheer myth...