Search Details

Word: note (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Merrick rehearsals and previews he wished. That was fine, so long as Merrick did not have a play ready. Last week, however, he had. A few days before the opening of Philadelphia, Here I Come! (see THEATER), Merrick sent two preview passes to Kauffmann. Attached was an ominous note: "Dear Mr. Kauffmann: At your peril. Sincerely, David Merrick...

Author: /time Magazine | Title: Broadway: Smelling a Rat | 2/25/1966 | See Source »

...trotted out in a snappy Garbo trench coat and green velvet beret designed for Special Farces. Mimi and Camille Henderson, Skitch's miniature poodles, sported twin $150 red mole coats that were belted at the waist, and Buffee Gore, Singer Lesley Gore's poodle, hit a high note with a vicuna snow suit with red trim...

Author: /time Magazine | Title: Pets: Fit for a Dog | 2/25/1966 | See Source »

...elegance of tone that is the envy of the profession. With a combination of pedal, touch and heart, he sings his way into the poetic soul of the music. He can take a diminuendo passage and without spoiling the line, make it grow progressively softer while articulating each note straight to the back row of the hall. That a piece of percussive machinery like the piano can be made to produce such distinctions in tone is nothing short of miraculous...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...tips are cushioned from years of "cleaning the piano's teeth," are spatula-shaped; the all-important little finger is as long as the index finger, which is just a shade shorter than the middle finger. Thus, with the extension of his long thumbs, he can encompass a twelve-note spread on the keyboard. Most pianists are happy if they can handle a tenth...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...live?live passionately. So I don't believe in all this nonsense of tying oneself to the keyboard all day." While most musicians practice for five of six hours every day, he will go for days without looking at a piano. Some younger pianists, he says, in their note-niggling pursuit of perfection, end up "taking a performance out of their pocket instead of out of their heart." This lack of involvement, he feels, extends to the audience as well, a result of being raised on note-perfect stereo recordings. Says Rubinstein: "In the old days, young girls would commit...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

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