Word: noted
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Dates: during 1950-1959
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...their second offering of the season, the Group 20 Players have come up with an unusual production of Tennessee Williams' Pulitzer Prizewinning play A Streetcar Named Desire. Feeling that twelve years have considerably changed the values of the play, Ellis Rabb, in a directorial note in the program, explains that he believes Streetcar to be a play about man's "procreative power" as represented by Stanley Kowalski rather than Blanche DuBois' "vulnerability." Unfortunately, this thesis does not play successfully throughout, and the result is an energetic but uneven production. "The total horror of Blanche's affliction...
...Toulouse-Lautrec, finally, is amazing. Its title, Messaline, suggests its romantic aspect, and a far cry indeed from the realism of the Moulin Rouge is its rather Redonesque treatment of lighting, color and brush-work. Its monumental figures (note the left foreground personage or Messaline herself) and themes are straight out of the Golden Age, giving Lautrec a new dignity as a creator of significant content which I, for one, would never have thought possible...
...other, has never been the dream of the artgoer, and the use of different levels is handled poorly--without any strong accents on the bottom level of the main gallery, the collection is allowed to dribble off to nowhere. I'll add one good note about the exhibition's installation: two incredibly large and mildly good Van Goyens have been sent over to the Fogg where they are suitably scaled in size and gloom to the second floor gallery arcade. In all, though, I'm afraid that I'll just have to fall back on local pundit-philosopher S. Marshall...
...superb technician, Jonah makes the weariest material sound fresh; he can float out a beautifully fluid legato with every note fully etched, or rasp out a low, "dirty" tone while keeping the melody under rigid control, or punch out a bright, high note and linger over it with a heavy vibrato. The arrangements are so simple that the customers, as Chicago Disk Jockey Marty Faye notes, "can sit at a table and chat and still enjoy Jonah...
...Father Wilfrid Kelly of Crewe, Cheshire last week: "This is difficult to do, but the necessity for it is perfectly understandable. Think of Cardinal Newman's reference to the slow dance of the Mass. Read how God told the Israelites to build the tabernacle in the desert, and note the tremendous visual detail in his instructions. Our Lord's methods were perfect television, in three dimensions...