Word: noted
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Dates: during 1990-1999
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...After having such a terrific season, it is tough to end on such a sad note. There hasn't been this sense of closure yet," Hart said...
...Between 1991 and 1994, the Special Commission supervised the destruction of 690 tons of chemical-warfare agents and more than 3,000 tons of "precursor" chemicals that could be used to make poisons. The inspectors believe Iraq still has hidden as much as 4,000 tons of precursors. They note that the Iraqis are even now running a research and development program and could go back to producing chemical weapons as soon as the inspectors depart...
...chief concern, as it relates to the battle over ITT, is that the structure seems to generate so much potential tax and other savings that Starwood can afford to outbid all comers. When Sternlicht was snapping up smaller companies, heavyweights like Bollenbach took note but didn't fuss. Now that Sternlicht is going after bigger quarry, he's on Bollenbach's radar, and the fuss has just begun. The Hilton boss has been lobbying against the paired-share structure. By opting to go after a big name like ITT, Sternlicht has created a personal Catch-22. If the scrutiny...
...much brass, but Susan Gim '01 played her flute part superbly, and there were plenty of opportunities for the strings to generate a beautiful sound. The solo by Concertmistress Jen Burney '99 was one of the best parts of the first movement and, incidentally, authored the most entertaining program note: "young Antonin's musical talent was discovered early during his apprenticeship as a butcher." Was this a rhythmic knock-the-ham-hock knack? Or did Dvorak's vegan soul have him whistling carrion dirges...
...ears in focus. "Monosyllabic Girl" cranks out an ecstatic 54 second love ramble, suffused with unadulterated joy for a most unusual girl ("I take her to the seaside where she likes to spin and twirl/She says sure and cool and yeah/She's my monosyllabic girl"). On a more critical note, the scathing, frenetic "It's My Job to Keep Punk Rock Elite" opens So Long with fiery skate punk underground attack on corporate A&R sharks, summed up in the song's closing dictate, "This music ain't your fuckin' industry...