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...make your way through the sea of artistic offerings this weekend, take note that there is one and one place only where you can indulge in, “the essence of Michael Jackson morphed into a rhythmic display.” Or so says student choreographer Lisa B. Flannery ’08 of TAPS, the campus tap-dancing troupe. Along with the company’s “Smooth Criminal” piece, Susan E. Maya ’08 has also choreographed “a fun, whimsical dance set,” which combines...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

...make your way through the sea of artistic offerings this weekend, take note that there is one and one place only where you can indulge in, “the essence of Michael Jackson morphed into a rhythmic display...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

...note at the beginning of the original edition of “Inherit the Wind,” which premiered in 1955, states explicitly that the Jerome Lawrence and Robert Edwin Lee’s play is not history. Sure, names were changed, characters had been added, and I had to admit that Clarence Darrow, whom I had idolized, was probably not nearly as dashing as Spencer Tracy, but the plot itself stayed relatively true to the infamous 1925 Scopes Trial over the teaching of evolution—leading me to believe that the evolution debate was what the play...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: Inheriting a Parable of Anti-Intellectualism | 5/3/2006 | See Source »

Editor’s note: Former Harvard hurler Frank Herrmann ’06 is a prospect with the Class A Lake County (Ohio) Captains of the Cleveland Indians organization. This is his diary.As the first month of the season has drawn to an end, the initial buzz from Opening Day has started to wear off. We’ve all begun to settle into a routine.Finding a comfortable routine is especially important for a baseball player, since you are more or less doing the same thing for five straight months. And as a minor leaguer, a good portion...

Author: By Frank Herrmann, CONTRIBUTING WRITER | Title: In Minors, Big Wheels Keep on Turnin’ | 5/3/2006 | See Source »

...last. In 1990, Vanilla Ice had his fifteen minutes of shame trying to explain the profound difference between his “Ice Ice Baby” beat and the Queen and David Bowie song “Under Pressure,” which apparently revolved on a grace note difference so subtle that only classically-trained musicians like Mr. Ice (but not the original musicians, with whom he settled out of court) could discern it. The era of free sampling came to a halt with a legal challenge from, improbably enough, Gilbert O’Sullivan, regarding Biz Markie?...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Kaavya Viswanathan—Master Sampler? | 5/3/2006 | See Source »

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