Word: notes
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Dates: during 1910-1919
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...Royce 2L, who was recently elected president of the Law Review for the year 1917-1918, yesterday appointed Lloyd Harold Landau 2L, Wisconsin 1915, of Milwaukee, Wis., Note Editor of the Review; Joseph David Peeler 2L, Alabama 1915, of Huntsville, Ala., Case Editor, and Cecil Hurxthal Smith 2L, '15, of Cambridge, Book Review Editor. Dean Gooderham Acheson 2L, Yale 1915, of Middletown, Conn., has recently been elected treasurer of the Review...
...meeting of the board of the Law Review Monday afternoon. Alexander Burgess Royce 2L, Yale 1915, of Cambridge, was elected president of the Review for the year 1917-18. When an undergraduate at Yale, Royce was managing editor of the News. The treasurer will be elected shortly, and the Note Book Review and Case Editors will be appointed within the next few days...
...first presentation to the American public of the work of Johann Sigurjonsson by the 47 Workshop in Jordan Hall tonight is full of significance. This play, "Eywind of the Hills," based as it is upon the life and customs of Iceland, introduces a novel note into the American theatre. The play had its first representation in Copenhagen only a few years ago, and never before has any play by this new writer been produced in this country...
...American Neutrality should have been formed months ago, and then it might have arrived at a course of action before the time for deliberation had passed. What little influence it has had or will have among Harvard men during this critical period when there should be no discordant note of hesitancy is harmful and intolerable. For this reason alone the CRIMSON disagrees with and denounces the spirit of this organization which hinders steps toward immediate national preparedness, the delay of which may mean ruin and dishonor...
...sexual farce. In many respects, it is the most daring production of this dramatist, and has the inevitable touch of Shavian heroics and Shavian mysticism, as usual, in the last act. The excessively long and mystical monologue of the Mayoress seems at first to strike a false note, until one suddenly wakes up to the fact that it is really the play's manifesto, and that the Mayoress is the eternal Woman, the eternal Eve, pleading for her misunderstood sex, or rather analyzing it with prenatural cleverness and a certain poetry, for the benefit of her male hearers...