Word: notes
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Dates: during 1940-1949
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...upper let corner and "First" on the upper right, but no more, for another possibility crossed his mind. What if he should work through lunch? He set the alarm for noon and folded it under his pillow, then returned to the desk. "First Draft" he finished. He should note the time he started; getting out of his chair, he uncovered the alarm clock and noted the time, wound it tight and recovered it. Filling in the time, Vag thought a footnote was needed and moved down to the bottom of the page. "Ibid" he wrote. He would fix that...
...Morgen-stierne was welcomed at the conference table, where the representatives of the U.S., Britain, France, Benelux and Canada had shaped a pact that was almost ready for signatures. Of these nations, Norway is the only one which has a common border with Russia. Norway also sent a note to Russia frankly mentioning her participation in the Washington talks, and rejecting Moscow's demand for a Russian-Norwegian "nonaggression pact...
Bavaria's countryside, its soft-rolling hills and gabled farmhouses blanketed by late snow, looked as snug and changeless as ever. Only at a few points along main roads did little, neatly painted buildings strike an odd note: U.S. snack bars, complete with hamburger, jukebox and all the refined necessities of American life. They reminded you that this is, in a sense, America's Bavaria...
...Good Spanking. Well before wrathful Sancho's ultimatum expired, Serrano penned him an abject note of apology: "I confirm all my profound esteem of you as a founder of the Falange and as a man." Honor satisfied and the duel off, Sancho still growled: "Serrano talks too much. He will step on my feet again. Next time I will not send friends. I will call on him myself ... I was not after a letter of apology or a duel. We do not fight duels any more in Spain. What I wanted was a good solid pretext to give Serrano...
...role with her in England and on records.#&134; But Conductor Thomas K. Scherman's Little Orchestra (38 players) and 40 singers from the Westminster Choir got into the graceful spirit of Gluck's music with the overture, and stayed in it to the last gaily triumphant note. It was, however, the dramatically restrained passion of Kathleen Ferrier's singing, in a voice that is even and full through its two-octave range, that carried the show. Few had ever heard the familiar aria I Have Lost My Euridice so sumptuously sung...