Word: notes
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Dates: during 1980-1989
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...pulled off the road, while the officer waited in his car for reinforcements. When other deputies and state police arrived, they found Burr slumped in his truck, dead of two self-inflicted gunshot wounds. At the farm, authorities found the body of Emily Burr, along with a one-sentence note Burr had scrawled. According to a sheriff's deputy, "He said he couldn't manage his problems any more...
...Georgia bush; Celie looks up from her hymnal and--wham!--a bulldozer crashes through the chancel of Nettie's church thousands of miles away. None of this bravura, though, has liberated the attractive cast. Whoopi Goldberg suffers knowingly as Celie; Danny Glover, as "Mr.," looks vainly for a note to strike besides befuddled menace; Margaret Avery inhabits Shug without illuminating her. Everyone seems reluctant to let loose here, taking a cue from their too reverent boss. Perhaps The Color Purple demanded a cannier, more daring director: Steven Spielberg. The Good...
...society a kind of diseased journalism which has an "incredible virulence." I mean to identify a syndrome, the symptoms of which Jeff Wise exemplifies: irresponsibility on the part of the journalist (avoiding doing the necessary background research to write cogently on an issue); loss of logic (note Wise's thought process: Diseases were dealt with poorly, doctors learned how to find cures, a new disease defies cure, so we should deal with disease defies cure, so we should deal with diseases poorly as we did in the first place, and then everything will be nice again and "our attitude will...
...dismay to be viewed at arm's length with the lips pursed. Facing figures of this dimension, hung so that their eyes are at or near eye level, the viewer feels himself to be the object of their scrutiny too. Confronted that way, one does more than take note of their mood. One tries it on, perhaps to discover the unsettled states within oneself...
...including a slyly insinuating Klaus Maria Brandauer as Bror) helps to realize, what Pollack has captured in simple, forceful imagery and in the perfect pace of his editing, is something one dared not hope to find in this movie. It is Dinesen's remarkable rhythm. She never held a note too long. Africa had sung too many songs to her in a voice she knew was beginning to die. She had to get down on paper as many of them as she could, and do it without losing the haunting beat that had carried these sounds...