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Word: notional (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...attitude is free and defiant. "I don't give a damn any longer what people think," declares Manhattan Career Girl Pam Zauderer, 23. Not exactly a novel or revolutionary notion. Still, she was raised in Chanel suits picked out by her mother, and she now goes dining and dancing in pants-shaggy fur ones for the gaucho look at a party given by Vogue Editor Diana Vreeland, fringed satin ones for the Indian look at a Four Seasons reception for Yves Saint Laurent. Post-Deb Cathy Macauley, 21, shows up in Manhattan for the superformal opening of the Metropolitan...

Author: /time Magazine | Title: Fashion: Instant Originals | 10/25/1968 | See Source »

...According to Hollywood Talent Agent Bill Cunningham, the new Negro stereotype created by TV commercials derives at least in part from the notion that white buyers "won't go for actors who have very Negroid features. What we all see are the very attractive Negroes who, if you bleached their skins white, you'd think were Caucasian." Adds one agency talent director: "If they sound like Negroes, they haven't got a chance. They have to look like Negroes and sound like white people...

Author: /time Magazine | Title: Commercials: Crossing the Color Line | 10/25/1968 | See Source »

...simplistic notion of the '40s that Negroes are just like whites beneath the skin is more than an embarrassment now. And Rainbow's light-headed whimsy is now done better by television, with its dreamed-of genii or married witches. Even so, the movie might have survived were it not for the ham-handed direction of Francis Ford Coppola, 29, whose only previous Hollywood feature was the moderately comic You're a Big Boy Now. Astaire and Clark are saddled with threadbare brogues, and both talk as if they were dictating letters to a tape recorder. Tommy...

Author: /time Magazine | Title: New Movies: Instant Old Age | 10/25/1968 | See Source »

Compared with Beard or Turner, Parrington seems a somewhat perfunctory figure. In a series of interlocking biographical sketches-marked by Anglophobia and a gift for rhetoric-Parrington, in Main Currents in American Thought, reconstructed the U.S. cultural evolution. His notion, deeply ingrained in the American character, was that art should have a social purpose; realism, it followed, was better than fantasy. The great republic, he said, had solved through a struggle between the ideas of Good Guy liberals, dissenters, democrats and humanitarians, like Roger Williams, Ben Franklin, and naturally, Thomas Jefferson, and Bad Guy conservatives like Jonathan Edwards, Increase Mather...

Author: /time Magazine | Title: Books: The Uses of Yesterday | 10/25/1968 | See Source »

Regarding the SDS letter against ROTC being on campus in the October 21 edition of the Crimson: We would like to know just when the SDS obtained a copyright on morality? We reject the notion that by allowing a student referendum to decide the status of ROTC, Harvard is submitting to the "narrow self interests of some Harvard students," or "welcoming the instruments of repression...

Author: NO WRITER ATTRIBUTED | Title: SDS ON ROTC | 10/24/1968 | See Source »

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