Word: notionally
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...Adopting the Collegian’s motto of “Dulce est Periculum” or “Danger is Sweet,” the publication has transgressed boundaries since its inception, for example, advocating coeducation at Harvard when the notion still remained radical. Members say that rather than obliging the magazine to conform to tradition, the Advocate’s history actually allows it to push forward and serves as a “springboard, not a shackle,” according to documents from the Advocate’s archives...
...Mary Wollstonecraft published A Vindication of the Rights of Women in 1792, satirist Thomas Taylor responded with A Vindication of the Rights of Brutes. Taylor mocked the absurdity of studying women’s rights by suggesting this might one day lead scholars to take seriously the even zanier notion of animal rights. If this occurred, he warned, “government may be entirely subverted, subordination abolished...
...cognizant of the fact that large-scale violence can be so dangerous to humanity so that we become "aware of the need for a radical change in attitude." Whether his predictions are worth taking seriously or not, they all inevitably turn on the endless capacity of human resilience - a notion that appears to be the only true constant for the future, and the most reassuring...
...horror movies (Shivers, Scanners, The Fly, Naked Lunch) about the body as the ultimate toxic agent. The project was the 1977 Rabid, in which Chambers plays Rose, a car-crash victim who undergoes surgery that forces her to feed on human blood; soon she infects most of Toronto. The notion of a blond-angel porn star as the carrier of a fatal disease seemed like misanthropic science-fiction then. Within a few years, the festering of AIDS would ravage the world and decimate the sex-film community...
...slow to reveal the psychological interior of his controversial protagonist. “This sort of ‘let’s root for this guy’ in movies as if it were a baseball game has always struck me as a kind of truly low-brow notion of what art is supposed to be,” Toback says. “What happens with the most interesting works of art, I think, is that you start with a sense of deception, of half-knowledge, preferably with the deck stacked against your protagonist, and then...