Word: notionally
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...Moreover, the notion that pedophilia can be “cured” is misleading. In doing so, it implies that pedophilia, if defined as a mental disorder, is not a permanent state. This contradicts common legislation throughout the developed world, such as Megan’s Law in the United States, which ensures that the public may perpetually identify registered sex offenders after prison release, and affects pedophiles for their entire lives. Such laws holds pedophiles accountable for their past actions, and thus are inconsistent with the notion that pedophilia is simply a mental disorder that can be overcome...
...Attempts at cloning haven't stopped at the nonhuman animal kingdom: scientists have long speculated about cloning humans as well, but for the most part, ethical considerations have prevented any such notions from being put into practice. President George W. Bush urged Congress to enact legislation banning human cloning in 2002 after being "deeply troubled" by rumors that a Canada-based UFO cult had announced the birth of a successfully cloned baby girl. Though the claims were never substantiated, Congress passed the Human Cloning Prohibition Act in 2003. Congresswoman Sue Myrick, who supported the act, claimed that "anything other than...
...breaks, and the other on legacy, which traces the cultural and familial influences that shape successful individuals. The opportunity section is by far the more compelling of the two. The most interesting of these environmental theories of success is the “Matthew Effect,” the notion that success is the result of what sociologists call “accumulative advantage”—because those who are successful initially are most likely to be given “the special opportunities that lead to further success.” A fascinating example that Gladwell...
...blood and guns—all this is sexual in film. The fluid of cinema is sexuality.” Like her films, Denis is rebellious. Though she is one of few female directors of our time, collaborating consistently with female cinematographer Agnès Godard, Denis rejects the notion of a uniquely female gaze—a term dubbed in film theory as the artistic product of a woman behind the camera. In fact, she rejects the notion of “the gaze” altogether.“The gaze is a decision. It?...
...contemplate them, to think: “My thumb lifted itself again as if of its own volition, and I put away the camera. ” While principally taking aim at the concept of the biography, Kehlmann also engages with modern notions of celebrity. In one particularly memorable moment, Zollner takes Kaminski to a friend’s art exhibit in the city with the intention of garnering advance publicity for the biography he is penning. But in introducing those who frequent these social circles, from the editor-in-chief of ArT magazine to the fledging artists themselves, Kehlmann...