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Word: nots (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Carrying a Corpse. Ironies like that are easy to manufacture, and Scenarists James Poe and Robert E. Thompson operate an assembly line. Ruby tunelessly chants The Best Things in Life Are Free, then crawls for the pennies people throw her way. A Harlow-eyed blonde (Susannah York) is in the...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

At this melodramatic point, the film achieves its peak. Sailor's face empurples, his lips work and bubble, his body goes limp. "Walk, you son of a bitch, walk!" screams Gloria, carrying a corpse on her back, defying Rocky, circumstances, the Depression-and finally life itself in a racking...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

Still, as a footnote to American history, They Shoot Horses, Don't They? is invaluable. The entire cast-particularly Young and Fonda-understands the era when existence seemed one long bread line. The penciled eyebrows, marcelled coiffures and bright, hopeful faces change by degrees into ghastly masks; the bodies...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

During the dry desert autumn of 1909, a troublesome Paiute Indian named Willie shot the father of the Indian girl he wanted to marry. Willie was not a criminal according to Paiute custom; under tribal law, the theft of a girl constituted marriage. What followed, however, had nothing at all...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

As Polonsky has conceived of Willie-and as Robert Blake plays him with cold command-he is a symbol of Hemingway's maxim in To Have and Have Not: "A man alone ain't got no bloody chance." Willie has even less than no chance. "I'm...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

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