Word: nousness
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...Sports does not have a leg to stand on should the issue be decided utterly on its legal merits. So far is this from the truth that I think it is safe to say that my legal bombardment can blow Mr. Bingham's arguments quite out of court. "Mais nous verrons ce que nous verrons...
Mais oui, nous en avons plusieurs...
...military mutiny every tenth man is punished, irrespective of whether the bullets strike the guilty or the innocent!" Fearful that some kind of European alliance to attack the Reich may now be forming, Vice Leader Hess began to switch his talk from German to French. "Malheur pour nous! Malheur pour vous! Et malheur pour tout le monde!" puzzled Germans heard him shout. "An evil day for us! For you! And for all the world...
Director RenéClair won his first fame with a simple love story. Sous Les Toits de Paris, his second fame and third with brilliant satiric farragos, Le Million and A Nous La Liberté. July 14 is a simple love story of a blonde flower-seller (Annabella) and a taxi-driver (Georges Rigaud). Across the street in the shadow of Montmartre they fall in love on July 13th. They talk in the street, that night go to the street ball after she has lost her job in a cabaret for slapping an old drunkard (Paul Olivier). That night...
...their humane spontaneity. There is beautiful lively Annabella, half ingénue, half adult, whom he found for Le Million. There is stubborn-mouthed, idealistic Georges Rigaud and Raymond Cordy with the sliding, friendly black eyes, the temper that all his huge patience cannot control, hero of A Nous La Liberté. There is beautiful, sluttish Pola Illery. There is aristocratic Paul Olivier who plays in July 14 one of the funniest drunks ever seen. There are half a dozen marvelous character actors whom Clair uses to fill Frenchmen. French critics found that he had used all this to achieve...