Word: nov
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Dates: during 1950-1959
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...executions with his pistol, comes to Erick and reports: "She orders . . . that is, Miss Sophie asks . . She wants it to be you." Erick obliges. His first shot blows half her face away. "On the second shot everything was over." With this, Novelist Yourcenar (Hadrian's Memoirs, TIME, Nov. 29, 1954) contrives to inject her own sharp sense of history in what is told within the emotional limits of three private destinies...
Ever since stubborn old Nicholas ("The General") Schenck was eased aside as boss of Loew's Inc. in 1955, the world's biggest moviemaker has teetered on the brink of open corporate warfare (TIME, Nov. 12, 1956). The prize: control of Loew's $220.6 million in assets, including Metro-Goldwyn-Mayer studios. Last week the battle was joined, and the cannonading could be heard from Manhattan to Hollywood. President Joseph R. Vogel, Loew's third boss in two years, called a special stockholders' meeting for Sept. 12, charged that a dissident group on Loew...
...millions of Moslems from the teeming cities of India to the jungle swamps of Tanganyika, the Aga Khan was a holy figure, held in unquestioning esteem. Born in Karachi of Persian parents on Nov. 2, 1877, of a line that claims direct descent from the Prophet's daughter Fatima, young Mahomed Shah became Imam of the Ismailis at the age of seven, when his father died...
Thus sang thousands in the streets of Melbourne as they stood outside the city jail on Nov. 11, 1880. Inside, the ballad's hero, Bushranger Ned Kelly, stood silently as the hangman slipped the noose over his head, said with a shrug, "Such is life," and was dropped to his death. Ever since, the legend of Ned Kelly, the last of Australia's hell-for-leather desperadoes, has lingered on as Australia's private pride and public shame, celebrated in half a dozen movies and retold in scores of paperbacks and biographies. Now Ned Kelly is riding...
...conducted by Thomas Schippers in cooperation with the New York City Ballet; Angel). Menotti's bittersweet madrigal fable of a lonely poet's struggle with "the indifferent killers of the Poet's dreams" seems almost as effective in recording as it did on the stage (TIME, Nov. 5). The libretto, in clearest English, is thorny with barbed wit, and the music is alternately exuberant and shadowed with the gentle melancholy the poet-hero feels as he slowly dies, surrounded by "the pain-wrought children of my fancy...